Cracking Gilles Deleuze’s Crystal : : Narrative Space-time in the Films of Jean Renoir / / Barry Nevin.

Applies complex Deleuzian thought to the quintessential French auteurJean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir’s influential visual style by interpreting his film...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
VerfasserIn:
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (256 p.) :; 20 B/W illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04387nam a22007095i 4500
001 9781474426305
003 DE-B1597
005 20220629043637.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220629t20222018stk fo d z eng d
010 |a 2018289172 
020 |a 9781474426305 
024 7 |a 10.1515/9781474426305  |2 doi 
035 |a (DE-B1597)614100 
035 |a (OCoLC)1306541412 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a stk  |c GB-SCT 
050 0 0 |a PN1998.3.R46  |b N48 2018 
050 4 |a PN1998.3.R46  |b N48 2018 
072 7 |a PER004010  |2 bisacsh 
082 0 4 |a 791.430233092 (R) 
084 |a CI 5599  |2 rvk 
100 1 |a Nevin, Barry,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Cracking Gilles Deleuze’s Crystal :  |b Narrative Space-time in the Films of Jean Renoir /  |c Barry Nevin. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2018 
300 |a 1 online resource (256 p.) :  |b 20 B/W illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t Contents --   |t Figures --   |t Notes on Style --   |t Acknowledgements --   |t Preface --   |t Introduction --   |t CHAPTER 1 Theatrum Mundi: Framing Urban Dynamics in Renoir’s Paris --   |t CHAPTER 2 From Desert to Dreamscape: Viewing Renoir’s Rural Landscapes as Spatial Arenas --   |t CHAPTER 3 Portraying the Future(s) of the Front Populaire --   |t CHAPTER 4 Renoir’s crises anti-réalistes: Framing le temps gelé --   |t Conclusion --   |t Appendix: Corpus Breakdown --   |t Notes --   |t References --   |t Film Index --   |t General Subject Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Applies complex Deleuzian thought to the quintessential French auteurJean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir’s influential visual style by interpreting his films through Gilles Deleuze’s film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir’s oeuvre. Exploring canonised landmarks in Renoir’s career, including La Grande Illusion (1937) and La Règle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur’s oeuvre.Key FeaturesExamines the complex relationship between Deleuze’s film philosophy and spatial thought with clarityClearly theorises key concepts including time and spaceAnalyses films from each phase of Renoir’s career including his silent work, his politically engaged features of the 1930s, his Hollywood films and his post-war costume-dramasInvestigates Renoir’s key settings, political engagement and evolutions in his narrative style 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Motion pictures  |x History. 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a PERFORMING ARTS / Film & Video / Direction & Production.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2018  |z 9783110780437 
776 0 |c print  |z 9781474426299 
856 4 0 |u https://doi.org/10.1515/9781474426305 
856 4 0 |u https://www.degruyter.com/isbn/9781474426305 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9781474426305/original 
912 |a 978-3-11-078043-7 Edinburgh University Press Complete eBook-Package 2018  |b 2018 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK