Replication in the Long Nineteenth Century : : Re-makings and Reproductions /

Replication in the Long Nineteenth Century : : Re-makings and Reproductions / / Julie Codell, Linda Hughes.

The first study of nineteenth-century replication across art, literature, science, social science and humanities This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occu...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
VerfasserIn:
Codell, Julie,
Hughes, Linda,
MitwirkendeR:
Abberley, Will,
Amigoni, David,
Bivona, Daniel,
Carolyn Miller, Elizabeth,
Codell, Julie,
Daly, Suzanne,
Dawson, Gowan,
Foster, Sally M.,
Hughes, Linda K.,
Ledbetter, Kathryn,
Moss, Dorothy,
Mussell, James,
Taylor-Brown, Emilie,
Tweney, Ryan D.,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (320 p.) :; 56 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Acknowledgments
  • 1. Introduction: Replication in the Long Nineteenth Century – Re-makings and Reproductions
  • I. Replication and Networks
  • 2. Replication of Things: The Case for Composite Biographical Approaches
  • 3. Transatlantic Autograph Replicas and the Uplifting of American Culture
  • 4. “Petty Larceny” and “Manufactured Science”: Nineteenth-Century Parasitology and the Politics of Replication
  • 5. Portraying and Performing the Copy, c. 1900
  • II. Replication and Technology
  • 6. Replicating Tennyson’s The Princess, 1847–1853
  • 7. Paisley / Kashmir: Mapping the Imitation-Indian Shawl
  • 8. William Morris and the Form and Politics of Replication
  • 9. Text and Media Replication During the U.S.–Mexican War, 1846–1848
  • III. Replication and Authenticity
  • 10. Literary Replication and the Making of a Scientifi c “Fact”: Richard Owen’s Discovery of the Dinornis
  • 11. Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen’s An African Millionaire
  • 12. The Failure of Replication in Nineteenth-Century Literature: Why It All Just Comes Out Wrong
  • IV. Replication and Time
  • 13. “Seeking Nothing and Finding It”: Moving On and Staying Put in Mugby Junction
  • 14. The Origins of Replication in Science
  • 15. Fathers, Sons, Beetles, and “a family of hypotheses”: Replication, Variation, and Information in Gregory Bateson’s Reading of William Bateson’s Rule
  • 16. Afterword: The Implications of Nineteenth-Century Replication Culture
  • Notes on Contributors
  • Index

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