The Edinburgh Companion to Contemporary Narrative Theories / / Zara Dinnen, Robyn Warhol.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Dinnen, Zara,; Warhol, Robyn ,
• MitwirkendeR: Abbott, H. Porter,; Baetens, Jan,; Bell, Alice,; Breger, Claudia,; Caracciolo, Marco,; Currie, Mark,; Dinnen, Zara,; Ensslin, Astrid,; Frey, Hugo,; Gallagher, Rob,; Keen, Suzanne,; Kim, Sue J.,; Kjerkegaard, Stefan,; Kukkonen, Karin,; Lanser, Susan S.,; McBean, Sam,; McCracken, Ellen,; McHale, Brian,; Mittell, Jason,; Orbán, Katalin,; O’Sullivan, Sean,; Phelan, James,; Polvinen, Merja,; Punday, Daniel,; Quendler, Christian,; Richardson, Brian,; Rohy, Valerie,; Ronen, Ruth,; Shuman, Amy,; Walsh, Richard,; Warhol, Robyn,; Young, Katharine,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Companions to Literature and the Humanities
• Physical Description: 1 online resource (440 p.) :; 13 B/W illustrations

A collection of original essays establishing how wide the intellectual boundaries of narrative theory have becomeThe Edinburgh Companion to Contemporary Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. Attending to literary, digi...

Table of Contents

• Frontmatter
• Contents
• Illustrations
• Acknowledgements
• Notes on Contributors
• Introduction
• I. Mind-Centred and Cognitive Approaches to Narrative
• 1. What Does It Mean to Be Mad? Diagnosis, Narrative, Science, and the DSM
• 2. The Nonhuman in Mind: Narrative Challenges to Folk Psychology
• 3. Narrative and the Embodied Reader
• 4. The Fully Extended Mind
• 5. Sense-Making and Wonder: An Enactive Approach to Narrative Form in Speculative Fiction
• II. Situated Narrative Theories
• 6. Cosmopolitanism, Controversy, and Collectivity: Zadie Smith’s Networked Narration
• 7. Race and Empathy in GB Tran’s Vietnamerica
• 8. Till Death Do Us Part: Embodying Narratology
• 9. Digital Intimacies and Queer Narratives
• 10. The Cinema of the Impossible: Queer Theory and Narrative
• III. Theories of Digital Narrative
• 11. Cinema and the Unnarratability of Computation
• 12. Plotting the Loop: Videogames and Narratability
• 13. Serial as Digital Constellation: Fluid Textuality and Semiotic Otherness in the Podcast Narrative
• 14. UI Time and the Digital Event
• IV. Theories of Television, Film, Comics, and Graphic Narrative
• 15. Continued Comics: The New ‘Blake and Mortimer’ as an Example of Continuation in European Series
• 16. Operational Seriality and the Operation of Seriality
• 17. Closer Than They Seem: Graphic Narrative and the Senses
• 18. Episode Five, or, When Does a Narrative Become What It Is?
• 19. Media Theory as Narrative Theory: Film Narration as a Case Study
• V. Anti-Mimetic Narrative Theories
• 20. Digital Fiction and Unnatural Narrative
• 21. Lyric Poetry as Anti-Mimetic Bridging in Narratives and Motion Pictures: A Case Study of Affective Response to Christopher Nolan’s Interstellar (2014)
• 22. Speculative Fiction, or, Literal Narratology
• 23. Unnatural Endings in Fiction and Drama
• VI. Philosophical Approaches to Narrative
• 24. Narrative and the Necessity of Contingency
• 25. Local Nonfi ctionality within Generic Fiction: Huntington’s Disease in McEwan’s Saturday and Genova’s Inside the O’Briens
• 26. The Story of the Law
• 27. The Centre for Narrative Gravity: Narrative and the Philosophy of Selfhood after Dennett
• 28. The Body as Medium: A Phenomenological Approach to the Production of Affect in Narrative
• Index