F. Scott Fitzgerald’s Short Fiction : : From Ragtime to Swing Time / / Jade Broughton Adams.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Adams, Jade Broughton,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Series: Modern American Literature and the New Twentieth Century : MALN20C
• Physical Description: 1 online resource (232 p.)
• Other title: Frontmatter --; CONTENTS --; LIST OF FIGURES --; ACKNOWLEDGEMENTS --; ABBREVIATIONS --; Introduction: Not ‘a Sincere and Yet Radiant World’ but ‘Trashy Imaginings’ – Representations of Popular Culture in Fitzgerald’s Short Fiction --; CHAPTER 1 ‘Dancing Modern Suggestive Dances that are Simply Savagery’: Fitzgerald and Ragtime Dance --; CHAPTER 2 The ‘Chocolate Arabesques’ of Josephine Baker: Fitzgerald and Jazz Dance --; CHAPTER 3 ‘Satyre upon a Saxaphone’: Fitzgerald and Music --; CHAPTER 4 ‘The One about Sitting on His Top Hat and Climbing up His Shirt Front’: Fitzgerald and Musical Theatre --; CHAPTER 5 ‘A More Glittering, a Grosser Power’: Fitzgerald and Film --; Conclusion: ‘All My Stories are Conceived Like Novels’ --; APPENDIX: FITZGERALD’S SHORT STORY COLLECTIONS --; NOTES --; BIBLIOGRAPHY --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474424691; 9783110780437
• DOI: 10.1515/9781474424691
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Jade Broughton Adams.

A revisionist reading of Fitzgerald’s short stories through the lens of popular culture from the 1910s to the 1930sF. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. These are vividly infused with the new popular culture of the early twentieth century, from jazz to motion pictures. By exploring Fitzgerald’s fascination with the intertwined spheres of dance, music, theatre and film, this book demonstrates how Fitzgerald innovatively imported practices from other popular cultural media into his short stories, showing how jazz age culture served as more than mere period detail in his work.Key FeaturesInterdisciplinary formal and thematic analysis of popular cultural references in Fitzgerald’s short fictionOffers fresh readings of longstanding concepts in Fitzgerald studies, such as his ‘double vision’Contributes to the growing field of popular cultural studies of modernist authors