The Other Side of Glamour : : The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond / / Vivian P.Y. Lee.
Studies the historical origins and transformation in styles and production modes of Hong Kong’s left-wing studiosWhat does it mean to be on the “left” of the Hong Kong film industry during the Cold War era?How did the left-wing studios balance their artistic, ideological, and commercial agendas in t...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Global Film Studios : GFS
|
| Online Access: | |
| Physical Description: | 1 online resource (192 p.) :; 16 B/W illustrations |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- List of figures
- Acknowledgments
- A note on the timeline
- Timeline
- Introduction
- 1 The left-wing film apparatus in postwar Hong Kong
- 2 Left in the right way: corporate strategy and the making of a popular left-wing
- 3 Remaking Cantonese film culture: Union and Sun Luen
- 4 Class, gender, and modern womanhood: Feng Huang and Great Wall
- 5 Corporate repositioning, transnational cultural brokerage, and soft power: Sil-Metropole
- 6 Critical transitions on the non-left: Patrick Lung and Cecile Tang
- 7 From political alibis to creative incubators: the left -wing film network since the 1980s
- Epilogue
- Bibliography
- Filmography
- Index