Irish Drama and the Other Revolutions : : Playwrights, Sexual Politics and the International Left, 1892-1964 / / Susan Cannon Harris.
Reveals the untold story of Irish drama’s engagement with modernity’s sexual and social revolutionsThe first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Dram...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2017 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
|
Online Access: | |
Physical Description: | 1 online resource (280 p.) :; 3 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781474424479 |
---|---|
lccn |
2017296946 |
ctrlnum |
(DE-B1597)619512 (OCoLC)1306539223 |
collection |
bib_alma |
record_format |
marc |
spelling |
Cannon Harris, Susan, author. aut http://id.loc.gov/vocabulary/relators/aut Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / Susan Cannon Harris. Edinburgh : Edinburgh University Press, [2022] ©2017 1 online resource (280 p.) : 3 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 DESIRING WOMEN: IRISH PLAYWRIGHTS, NEW WOMEN AND QUEER SOCIALISM, 1892–1894 -- 2 ARRESTED DEVELOPMENT: UTOPIAN DESIRES, DESIGNS AND DEFERRALS IN MAN AND SUPERMAN AND JOHN BULL’S OTHER ISLAND -- 3 WE’LL KEEP THE RED FLAG FLYING HERE: SYNDICALISM, JIM LARKIN AND IRISH MASCULINITY AT THE ABBEY THEATRE, 1911–1919 -- 4 MOBILISING MAURYA: J. M. SYNGE, BERTOLT BRECHT AND THE REVOLUTIONARY MOTHER -- 5 THE FLAMING SUNFLOWER: THE SOVIET UNION AND SEAN O’CASEY’S POST-REALISM -- EPILOGUE: WHAT THE IRISH LEFT – SEAN O’CASEY, SAMUEL BECKETT AND LORRAINE HANSBERRY’S THE SIGN IN SIDNEY BRUSTEIN’S WINDOW -- WORKS CITED -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Reveals the untold story of Irish drama’s engagement with modernity’s sexual and social revolutionsThe first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s. Drawing on original archival research, the study reconstructs the engagement of Yeats, Shaw, Wilde, Synge, O’Casey, and Beckett with socialists and sexual radicals like Percy Bysshe Shelley, William Morris, Edward Carpenter, Florence Farr, Bertolt Brecht, and Lorraine Hansberry. Key FeaturesArgues for and models a way of reconciling Marxist politics with identity politics, instead of privileging one over the otherOffers the first sustained investigation of Irish drama’s engagement with left culture in Europe and North AmericaOffers fresh readings of canonical plays by major authors while elaborating a new and generative argument about Ireland’s contribution to modern drama and literary modernismUses hard-to-find archival sources to recover and reinterpret crucial but forgotten and/or misunderstood moments in theater history and in the history of the cultural leftBrings Marxist and feminist/queer theoretical concerns together to produce a nuanced and revealing account of the interaction between sexual and social politics in the first half of the twentieth century Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) English drama Irish authors History and criticism. Politics and literature Ireland History. Literary Studies. LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 9783110781403 https://doi.org/10.1515/9781474424479?locatt=mode:legacy https://www.degruyter.com/isbn/9781474424479 Cover https://www.degruyter.com/document/cover/isbn/9781474424479/original |
language |
English |
format |
eBook |
author |
Cannon Harris, Susan, Cannon Harris, Susan, |
spellingShingle |
Cannon Harris, Susan, Cannon Harris, Susan, Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 DESIRING WOMEN: IRISH PLAYWRIGHTS, NEW WOMEN AND QUEER SOCIALISM, 1892–1894 -- 2 ARRESTED DEVELOPMENT: UTOPIAN DESIRES, DESIGNS AND DEFERRALS IN MAN AND SUPERMAN AND JOHN BULL’S OTHER ISLAND -- 3 WE’LL KEEP THE RED FLAG FLYING HERE: SYNDICALISM, JIM LARKIN AND IRISH MASCULINITY AT THE ABBEY THEATRE, 1911–1919 -- 4 MOBILISING MAURYA: J. M. SYNGE, BERTOLT BRECHT AND THE REVOLUTIONARY MOTHER -- 5 THE FLAMING SUNFLOWER: THE SOVIET UNION AND SEAN O’CASEY’S POST-REALISM -- EPILOGUE: WHAT THE IRISH LEFT – SEAN O’CASEY, SAMUEL BECKETT AND LORRAINE HANSBERRY’S THE SIGN IN SIDNEY BRUSTEIN’S WINDOW -- WORKS CITED -- INDEX |
author_facet |
Cannon Harris, Susan, Cannon Harris, Susan, |
author_variant |
h s c hs hsc h s c hs hsc |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Cannon Harris, Susan, |
title |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / |
title_sub |
Playwrights, Sexual Politics and the International Left, 1892-1964 / |
title_full |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / Susan Cannon Harris. |
title_fullStr |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / Susan Cannon Harris. |
title_full_unstemmed |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / Susan Cannon Harris. |
title_auth |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 DESIRING WOMEN: IRISH PLAYWRIGHTS, NEW WOMEN AND QUEER SOCIALISM, 1892–1894 -- 2 ARRESTED DEVELOPMENT: UTOPIAN DESIRES, DESIGNS AND DEFERRALS IN MAN AND SUPERMAN AND JOHN BULL’S OTHER ISLAND -- 3 WE’LL KEEP THE RED FLAG FLYING HERE: SYNDICALISM, JIM LARKIN AND IRISH MASCULINITY AT THE ABBEY THEATRE, 1911–1919 -- 4 MOBILISING MAURYA: J. M. SYNGE, BERTOLT BRECHT AND THE REVOLUTIONARY MOTHER -- 5 THE FLAMING SUNFLOWER: THE SOVIET UNION AND SEAN O’CASEY’S POST-REALISM -- EPILOGUE: WHAT THE IRISH LEFT – SEAN O’CASEY, SAMUEL BECKETT AND LORRAINE HANSBERRY’S THE SIGN IN SIDNEY BRUSTEIN’S WINDOW -- WORKS CITED -- INDEX |
title_new |
Irish Drama and the Other Revolutions : |
title_sort |
irish drama and the other revolutions : playwrights, sexual politics and the international left, 1892-1964 / |
series |
Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP |
series2 |
Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (280 p.) : 3 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 DESIRING WOMEN: IRISH PLAYWRIGHTS, NEW WOMEN AND QUEER SOCIALISM, 1892–1894 -- 2 ARRESTED DEVELOPMENT: UTOPIAN DESIRES, DESIGNS AND DEFERRALS IN MAN AND SUPERMAN AND JOHN BULL’S OTHER ISLAND -- 3 WE’LL KEEP THE RED FLAG FLYING HERE: SYNDICALISM, JIM LARKIN AND IRISH MASCULINITY AT THE ABBEY THEATRE, 1911–1919 -- 4 MOBILISING MAURYA: J. M. SYNGE, BERTOLT BRECHT AND THE REVOLUTIONARY MOTHER -- 5 THE FLAMING SUNFLOWER: THE SOVIET UNION AND SEAN O’CASEY’S POST-REALISM -- EPILOGUE: WHAT THE IRISH LEFT – SEAN O’CASEY, SAMUEL BECKETT AND LORRAINE HANSBERRY’S THE SIGN IN SIDNEY BRUSTEIN’S WINDOW -- WORKS CITED -- INDEX |
isbn |
9781474424479 9783110781403 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR8789 |
callnumber-sort |
PR 48789 H39 42017 |
geographic_facet |
Ireland |
url |
https://doi.org/10.1515/9781474424479?locatt=mode:legacy https://www.degruyter.com/isbn/9781474424479 https://www.degruyter.com/document/cover/isbn/9781474424479/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822.91099417 |
dewey-sort |
3822.91099417 |
dewey-raw |
822.91099417 |
dewey-search |
822.91099417 |
doi_str_mv |
10.1515/9781474424479?locatt=mode:legacy |
oclc_num |
1306539223 |
work_keys_str_mv |
AT cannonharrissusan irishdramaandtheotherrevolutionsplaywrightssexualpoliticsandtheinternationalleft18921964 |
status_str |
n |
ids_txt_mv |
(DE-B1597)619512 (OCoLC)1306539223 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
is_hierarchy_title |
Irish Drama and the Other Revolutions : Playwrights, Sexual Politics and the International Left, 1892-1964 / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
_version_ |
1806143791881519104 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05029nam a22007095i 4500</leader><controlfield tag="001">9781474424479</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222017stk fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2017296946</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474424479</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474424479</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)619512</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1306539223</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PR8789</subfield><subfield code="b">.H39 2017</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR8789</subfield><subfield code="b">.H39 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">822.91099417</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cannon Harris, Susan, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Irish Drama and the Other Revolutions :</subfield><subfield code="b">Playwrights, Sexual Politics and the International Left, 1892-1964 /</subfield><subfield code="c">Susan Cannon Harris.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 p.) :</subfield><subfield code="b">3 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">1 DESIRING WOMEN: IRISH PLAYWRIGHTS, NEW WOMEN AND QUEER SOCIALISM, 1892–1894 -- </subfield><subfield code="t">2 ARRESTED DEVELOPMENT: UTOPIAN DESIRES, DESIGNS AND DEFERRALS IN MAN AND SUPERMAN AND JOHN BULL’S OTHER ISLAND -- </subfield><subfield code="t">3 WE’LL KEEP THE RED FLAG FLYING HERE: SYNDICALISM, JIM LARKIN AND IRISH MASCULINITY AT THE ABBEY THEATRE, 1911–1919 -- </subfield><subfield code="t">4 MOBILISING MAURYA: J. M. SYNGE, BERTOLT BRECHT AND THE REVOLUTIONARY MOTHER -- </subfield><subfield code="t">5 THE FLAMING SUNFLOWER: THE SOVIET UNION AND SEAN O’CASEY’S POST-REALISM -- </subfield><subfield code="t">EPILOGUE: WHAT THE IRISH LEFT – SEAN O’CASEY, SAMUEL BECKETT AND LORRAINE HANSBERRY’S THE SIGN IN SIDNEY BRUSTEIN’S WINDOW -- </subfield><subfield code="t">WORKS CITED -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Reveals the untold story of Irish drama’s engagement with modernity’s sexual and social revolutionsThe first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s. Drawing on original archival research, the study reconstructs the engagement of Yeats, Shaw, Wilde, Synge, O’Casey, and Beckett with socialists and sexual radicals like Percy Bysshe Shelley, William Morris, Edward Carpenter, Florence Farr, Bertolt Brecht, and Lorraine Hansberry. Key FeaturesArgues for and models a way of reconciling Marxist politics with identity politics, instead of privileging one over the otherOffers the first sustained investigation of Irish drama’s engagement with left culture in Europe and North AmericaOffers fresh readings of canonical plays by major authors while elaborating a new and generative argument about Ireland’s contribution to modern drama and literary modernismUses hard-to-find archival sources to recover and reinterpret crucial but forgotten and/or misunderstood moments in theater history and in the history of the cultural leftBrings Marxist and feminist/queer theoretical concerns together to produce a nuanced and revealing account of the interaction between sexual and social politics in the first half of the twentieth century</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English drama</subfield><subfield code="x">Irish authors</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Politics and literature</subfield><subfield code="z">Ireland</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2017</subfield><subfield code="z">9783110781403</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474424479?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474424479</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474424479/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078140-3 Edinburgh University Press Complete eBook-Package 2017</subfield><subfield code="b">2017</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |