Vampires, Race, and Transnational Hollywoods /

Vampires, Race, and Transnational Hollywoods / / Dale Hudson.

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A consideration of vampire film production through the lens of transnational cinemaThe figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
VerfasserIn:
Hudson, Dale,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
Series:Traditions in American Cinema : TAC
Online Access:
Physical Description:1 online resource (296 p.) :; 20 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • ILLUSTRATIONS
  • ACKNOWLEDGMENTS
  • INTRODUCTION: MIGRATIONS AND MUTATIONS
  • 1. BLOOD, BODIES, AND BORDERS
  • 2. “MAKING” AMERICANS FROM FOREIGNERS
  • 3. CLASSICAL HOLLYWOOD VAMPIRES: THE UNNATURAL WHITENESS OF AMERICA
  • 4. INTERNATIONAL HOLLYWOOD VAMPIRES: COSMOPOLITANISMS OF “FOREIGN MOVIES”
  • 5. VAMPIRES OF COLOR: A CRITIQUE OF MULTICULTURAL WHITENESS
  • 6. TERRORIST VAMPIRES: RELIGIOUS HERITAGE OR PLANETARY ADVOCACY
  • 7. OTHER VAMPIRES, OTHER HOLLYWOODS: SERIALIZED CITIZENSHIP AND NARROWCAST DIFFERENCE
  • CONCLUSION: HISTORY AND HOLLYWOOD, MASHED-UP
  • FILMOGRAPHY
  • BIBLIOGRAPHY
  • INDEX

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