Raymond Bellour : : Cinema and the Moving Image / / Hilary Radner, Alistair Fox.

A comprehensive study of Raymond Bellour, one of the most important foundational theorists of Film StudiesOne of the most influential figures in French film philosophy, Raymond Bellour’s interests range across cinema, art, literature and philosophy, and his work sits at the critical juncture between...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
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Physical Description:1 online resource (232 p.) :; 25 B/W illustrations
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100 1 |a Radner, Hilary,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Raymond Bellour :  |b Cinema and the Moving Image /  |c Hilary Radner, Alistair Fox. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2018 
300 |a 1 online resource (232 p.) :  |b 25 B/W illustrations 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Preface --   |t Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in Film Theory from the Twentieth to the Twenty-first Century --   |t Part 1 Raymond Bellour: Cinema and the Moving Image --   |t Part 2 Bellour by Bellour: Selections from an Interview conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015 --   |t Part 3 Biography and Publications of Raymond Bellour --   |t Select List of Sources Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a A comprehensive study of Raymond Bellour, one of the most important foundational theorists of Film StudiesOne of the most influential figures in French film philosophy, Raymond Bellour’s interests range across cinema, art, literature and philosophy, and his work sits at the critical juncture between the cinematic experience in the period of classical cinema to the new forms of spectatorship ushered in by digital media in the 21st century. With a succinct account of Bellour’s oeuvre, this book provides a generous introduction to his ideas on cinema, an annotated bibliography of his work, and a six-chapter translation of a substantial and wide-ranging interview previously unavailable in English. Providing a clear, systematic account of the evolution of Bellour’s thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.Key featuresProvides a clear, systematic exposition of the evolution of Bellour’s thought over 60 yearsMakes available in an English translation a hitherto unpublished interview with Bellour from 2015Includes an annotated bibliography, with brief abstracts of all of his books and most important articles 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Film criticism. 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
700 1 |a Fox, Alistair,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
700 1 |a Fox, Alistair,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Radner, Hilary,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2018  |z 9783110780437 
776 0 |c print  |z 9781474422888 
856 4 0 |u https://doi.org/10.1515/9781474422901?locatt=mode:legacy 
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