Beckett's Breath : : Anti-Theatricality and the Visual Arts / / Sozita Goudouna.
Examines the intersection of Samuel Beckett’s thirty-second playlet Breath with the visual artsSamuel Beckett, one of the most prominent playwrights of the twentieth century, wrote a thirty-second playlet for the stage that does not include actors, text, characters or drama but only stage directions...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
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Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 18 B/W illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- PREFACE
- INTRODUCTION: IN THE SAME BREATH − FROM THE BLACK BOX TO THE WHITE CUBE AND BEYOND
- PART I RESPIRATION, DISCOURSE AND THE QUESTION OF MEDIUM SPECIFICITY
- 1 DEEPTIME: BREATH AND THE LOOK OF NON-ART
- 2 THE DURATIONAL TURN: ABSORPTION AND THE SPECIFICITY OF TEMPORALITY
- PART II (RE)PRESENTING BREATH
- 3 SHORTNESS OF BREATH: BECKETT’S BREATH IN CONTEXT
- 4 EMPTIED OF THEATRE: BREATH AND THE PHENOMENOLOGY OF DISEMBODIMENT
- PART III THE EXHALED FIELD
- 5 WASTE OF BREATH: THE READYMADE AS A STAGE SET
- 6 INTERMEDIAL BREATH: DEFYING THE BOUNDARIES BETWEEN DISPLAYING AND STAGING
- 7 INVESTIGATING THE MATERIALITY OF RESPIRATION IN DIFFERENT MEDIA
- CONCLUSION: THE AFTERLIVES OF BREATH – BREATHE, BREATHE AGAIN . . . BREATHE BETTER
- BIBLIOGRAPHY
- INDEX