Suffragist Artists in Partnership : : Gender, Word and Image / / Lucy Ella Rose.
Explores the interconnected creative partnerships of the Wattses and De Morgans – Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrat...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2017 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Victorian Culture : ECSVC
|
Online Access: | |
Physical Description: | 1 online resource (272 p.) :; 13 B/W illustrations 17 colour illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 04862nam a22006855i 4500 | ||
---|---|---|---|
001 | 9781474421461 | ||
003 | DE-B1597 | ||
005 | 20220629043637.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 220629t20222017stk fo d z eng d | ||
020 | |a 9781474421461 | ||
024 | 7 | |a 10.1515/9781474421461 |2 doi | |
035 | |a (DE-B1597)616919 | ||
035 | |a (OCoLC)1312726324 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a stk |c GB-SCT | ||
072 | 7 | |a LCO009000 |2 bisacsh | |
082 | 0 | 4 | |a 709.22 |
100 | 1 | |a Rose, Lucy Ella, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Suffragist Artists in Partnership : |b Gender, Word and Image / |c Lucy Ella Rose. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (272 p.) : |b 13 B/W illustrations 17 colour illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Edinburgh Critical Studies in Victorian Culture : ECSVC | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Series Editor’s Preface -- |t Acknowledgements -- |t Abbreviations -- |t Introduction ‘Woman is Now Beginning to Take Her Place’ -- |t Part I Practice, Partnership, Politics -- |t 1 Mary and George Watts -- |t 2 Evelyn and William De Morgan -- |t 3 Self/Portraits -- |t Part II Artists’ Writings: Private and Published -- |t 4 Women Artists’ Diaries -- |t 5 Inscribing the Female Body -- |t Part III Artists’ Readings: Literary Sources and Subjects -- |t 6 Feminist Readings and Poetic Paintings -- |t 7 The Metamorphic Mermaid in Fairy Tales and Feminism -- |t Conclusion -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Explores the interconnected creative partnerships of the Wattses and De Morgans – Victorian artists, writers and suffragistsThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts’s recently published diaries, Evelyn De Morgan’s unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Art, Victorian |z Great Britain. | |
650 | 0 | |a Feminism in art. | |
650 | 4 | |a Literary Studies. | |
650 | 7 | |a LITERARY COLLECTIONS / English, Irish, Scottish, Welsh. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Complete eBook-Package 2017 |z 9783110781403 |
776 | 0 | |c print |z 9781474421454 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474421461?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781474421461 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781474421461/original |
912 | |a 978-3-11-078140-3 Edinburgh University Press Complete eBook-Package 2017 |b 2017 | ||
912 | |a EBA_BACKALL | ||
912 | |a EBA_CL_LT | ||
912 | |a EBA_EBACKALL | ||
912 | |a EBA_EBKALL | ||
912 | |a EBA_ECL_LT | ||
912 | |a EBA_EEBKALL | ||
912 | |a EBA_ESSHALL | ||
912 | |a EBA_PPALL | ||
912 | |a EBA_SSHALL | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a PDA11SSHE | ||
912 | |a PDA13ENGE | ||
912 | |a PDA17SSHEE | ||
912 | |a PDA5EBK |