Female Agency and Documentary Strategies : : Subjectivities, Identity and Activism /

Female Agency and Documentary Strategies : : Subjectivities, Identity and Activism / / Boel Ulfsdotter, Anna Backman Rogers.

Examines the politics of female authorship in relation to contemporary documentary practicesThis book, like its twin volume Female Authorship and the Documentary Image, centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of repre...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
VerfasserIn:
Ulfsdotter, Boel,
Backman Rogers, Anna,
MitwirkendeR:
Ehrlich, Linda,
Ely-Harper, Kerreen,
Fallon, Kris,
Kinsey, Cadence,
Maia, Carla,
Merás, Lidia,
Misiak, Anna,
Munro, Kim,
Nash, Kate,
Riley, John A.,
Rogers, Anna Backman,
Titton, Monica,
Ulfsdotter, Boel,
Vanstone, Gail,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (224 p.) :; 24 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • ILLUSTRATIONS
  • NOTES ON THE CONTRIBUTORS
  • FOREWORD
  • INTRODUCTION
  • PART ONE. NEW MEDIA AND ACTIVISM
  • 1. THE PENCIL OF IDENTITY: INSTAGRAM AS INADVERTENT (FEMALE) AUTOBIOGRAPHY
  • 2. ARCHETYPE AND AUTHENTICITY: REFLECTIONS ON AMALIA ULMAN’S EXCELLENCES & PERFECTIONS
  • 3. BLOGGING THE FEMALE SELF: AUTHORSHIP, SELF-PERFORMANCE AND IDENTITY POLITICS IN FASHION BLOGS
  • PART TWO. RELATIONALITY, SELFHOOD AND SUBJECTIVITIES
  • 4. ‘SCRIPTRIX NARRANS’: DIGITAL DOCUMENTARY STORYTELLING’S RADICAL POTENTIAL
  • 5. HYBRID PRACTICES AND VOICE MAKING IN CONTEMPORARY FEMALE DOCUMENTARY FILM
  • 6. RECORD KEEPING: FAMILY MEMORIES ON FILM – REA TAJIRI’S HISTORY AND MEMORY: FOR AKIKO AND TAKASHIGE AND WISDOM GONE WILD
  • 7. ‘NOT BECAUSE MY HEART IS GONE; SIMPLY THE OTHER SIDE’: FRANCESCA WOODMAN’S RELATIONAL AND EPHEMERAL SUBJECTIVITY AT THE LIMIT OF THE IMAGE
  • 8. OTHER WOMEN: THINKING CLASS AND GENDER IN CONTEMPORARY BRAZILIAN DOCUMENTARY FILM
  • INTERVIEW: ‘VISUALISING OUR VOICES’ – HONG KONG SCHOLAR AND FILM DIRECTOR VIVIAN WENLI LIN IN CONVERSATION WITH BOEL ULFSDOTTER
  • PART THREE. IDENTITY POLITICS OF DOCUMENTARY
  • 9. FROM VISCERAL STYLE TO DISCOURSE OF RESISTANCE: READING ALKA SADAT’S AFGHAN DOCUMENTARIES ON VIOLENCE AGAINST WOMEN
  • 10. DOCUMENTING GEORGIA IN TRANSITION: THE FILMS OF SALOMÉ JASHI AND NINO KIRTADZE
  • 11. PROFESSION: DOCUMENTARIST: UNDERGROUND DOCUMENTARY MAKING IN IRAN
  • 12. ‘REFLECTING THROUGH IMAGES’: THE DOCUMENTARIES OF MERCEDES ÁLVAREZ
  • SELECT BIBLIOGRAPHY
  • INDEX

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