Visceral Screens : : Mediation and Matter in Horror Cinema / / Allan Cameron.
Investigates how horror films have rendered the human body as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentationDemonstrates how a range of different horror subgenres depict bodily mediation, from the vampire’s association with optical effects to the use of...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (216 p.) :; 20 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Introduction
- 1. Vampire Optics: Projection, Diffusion, Contact
- 2. Zombie Media: Transmission, Reproduction, Disintegration
- 3. Corporeal Frames: Found-Footage Horror and the Dislocated Image
- 4. Aesthetic Incisions: Giallo Cinema and the Matter of the Cut
- 5. Chromatic Transfusions: Colour, Genre and Embodiment
- 6. Sensory Disjunctures: From Audiovisual Rupture to Violent Synchrony
- Bibliography
- Index