The Museum as a Cinematic Space : : The Display of Moving Images in Exhibitions / / Elisa Mandelli.
Takes an intermedial approach to examine how film has influenced exhibition designKey featuresUses an innovative and strongly interdisciplinary theoretical framework to enrich our understanding of the display of films and audio-visuals in museumsProvides in-depth analysis of the contemporary landsca...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Edinburgh Studies in Film and Intermediality : ESFI
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| Online Access: | |
| Physical Description: | 1 online resource (176 p.) :; 9 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Preface
- Introduction
- Part I Between History and Modernity: Films in Exhibitions in the Twentieth Century
- CHAPTER ONE Cinema, Museums, Memory and Education
- CHAPTER TWO ‘A dimly-lighted corner’: Moving Images in Museums in the First Decades of the Twentieth Century
- CHAPTER THREE Moving Images in Museums, World’s Fairs and Avant-garde Exhibition Design
- CHAPTER FOUR The Multi-media Museum: The 1960s–70s
- Part II The Museum as a Cinematic Space: Museums and Moving Images in the Twenty-first Century
- CHAPTER FIVE From the Museum Experience to the Museum as an Experience
- CHAPTER SIX Audio-visuals in Exhibitions
- CHAPTER SEVEN The Museum and its Spectres
- CHAPTER EIGHT A Walk through Images
- CHAPTER NINE New Interpretations of the Movie Theatre
- CHAPTER TEN Touching Images
- Conclusions
- Bibliography
- Index