Twenty-First-Century Popular Fiction / / Bernice Murphy, Stephen Matterson.

Provides a unique snapshot of themes and trends within popular fiction in the twenty-first centuryThis groundbreaking collection captures the state of popular fiction in present day. It features twenty new essays on key authors associated with a wide range of genres and sub-genres, providing chapter...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
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Physical Description:1 online resource (256 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgements
  • Introduction: ‘Changing the Story’ – Popular Fiction Today
  • Chapter 1 Larry McMurtry’s Vanishing Breeds
  • Chapter 2 ‘Time to Open the Door’: Stephen King’s Legacy
  • Chapter 3 Terry Pratchett: Mostly Human
  • Chapter 4 From Westeros to HBO: George R. R. Martin and the Mainstreaming of Fantasy
  • Chapter 5 Nora Roberts: The Power of Love
  • Chapter 6 The King of Stories: Neil Gaiman’s Twenty-First- Century Fiction
  • Chapter 7 Jo Nesbø: Murder in the Folkhemmet
  • Chapter 8 ‘It’s a Trap! Don’t Turn the Page’: Metafiction and the Multiverse in the Comics of Grant Morrison
  • Chapter 9 Panoptic and Synoptic Surveillance in Suzanne Collins’s Hunger Games Series
  • Chapter 10 E. L. James and the Fifty Shades Phenomenon
  • Chapter 11 Fact, Fiction, Fabrication: The Popular Appeal of Dan Brown’s Global Bestsellers
  • Chapter 12 ‘I Need to Disillusion You’: J. K. Rowling and Twenty-First- Century Young Adult Fantasy
  • Chapter 13 Jodi Picoult: Good Grief
  • Chapter 14 ‘We Will Have a Happy Marriage If It Kills Him’: Gillian Flynn and the Rise of Domestic Noir
  • Chapter 15 ‘The Bastard Zone’: China Miéville, Perdido Street Station and the New Weird
  • Chapter 16 Sparkly Vampires and Shimmering Aliens: The Paranormal Romance of Stephenie Meyer
  • Chapter 17 ‘We Needed to Get a Lot of White Collars Dirty’: Apocalypse as Opportunity in Max Brooks’s World War Z
  • Chapter 18 Genre and Uncertainty in Tana French’s Dublin Murder Squad Mysteries
  • Chapter 19 ‘You Get What You Ask For’: Hugh Howey, Science Fiction and Authorial Agency
  • Chapter 20 Cherie Priest: At the Intersection of History and Technology
  • About the Contributors
  • Index