Twenty-First-Century Popular Fiction / / Bernice Murphy, Stephen Matterson.
Provides a unique snapshot of themes and trends within popular fiction in the twenty-first centuryThis groundbreaking collection captures the state of popular fiction in present day. It features twenty new essays on key authors associated with a wide range of genres and sub-genres, providing chapter...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2017 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (256 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Introduction: ‘Changing the Story’ – Popular Fiction Today
- Chapter 1 Larry McMurtry’s Vanishing Breeds
- Chapter 2 ‘Time to Open the Door’: Stephen King’s Legacy
- Chapter 3 Terry Pratchett: Mostly Human
- Chapter 4 From Westeros to HBO: George R. R. Martin and the Mainstreaming of Fantasy
- Chapter 5 Nora Roberts: The Power of Love
- Chapter 6 The King of Stories: Neil Gaiman’s Twenty-First- Century Fiction
- Chapter 7 Jo Nesbø: Murder in the Folkhemmet
- Chapter 8 ‘It’s a Trap! Don’t Turn the Page’: Metafiction and the Multiverse in the Comics of Grant Morrison
- Chapter 9 Panoptic and Synoptic Surveillance in Suzanne Collins’s Hunger Games Series
- Chapter 10 E. L. James and the Fifty Shades Phenomenon
- Chapter 11 Fact, Fiction, Fabrication: The Popular Appeal of Dan Brown’s Global Bestsellers
- Chapter 12 ‘I Need to Disillusion You’: J. K. Rowling and Twenty-First- Century Young Adult Fantasy
- Chapter 13 Jodi Picoult: Good Grief
- Chapter 14 ‘We Will Have a Happy Marriage If It Kills Him’: Gillian Flynn and the Rise of Domestic Noir
- Chapter 15 ‘The Bastard Zone’: China Miéville, Perdido Street Station and the New Weird
- Chapter 16 Sparkly Vampires and Shimmering Aliens: The Paranormal Romance of Stephenie Meyer
- Chapter 17 ‘We Needed to Get a Lot of White Collars Dirty’: Apocalypse as Opportunity in Max Brooks’s World War Z
- Chapter 18 Genre and Uncertainty in Tana French’s Dublin Murder Squad Mysteries
- Chapter 19 ‘You Get What You Ask For’: Hugh Howey, Science Fiction and Authorial Agency
- Chapter 20 Cherie Priest: At the Intersection of History and Technology
- About the Contributors
- Index