Masculinity in British Cinema, 1990-2010 / / Sarah Godfrey.
Explores British cinematic representations of masculinityFrom the new man to the metrosexual, British society from the 1990s to the 2000s was pre-occupied with questions about masculinity, and more specifically with the idea that it was somehow ‘in crisis.’ The first book-length study of British cin...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (272 p.) :; 15 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- INTRODUCTION Masculinity in British Cinema, 1990–2010: Postfeminist Manifestations
- CHAPTER 1 Changing Britain, Changing Men: From ‘New’ Man to the New Millennium
- CHAPTER 2 Representations of Class, Crisis and White Masculinity in Postfeminist, Neoliberal Britain
- CHAPTER 3 From Lock, Stock and Two Smoking Barrels to The Football Factory: Lad Culture and its Legacy
- CHAPTER 4 Social Exclusion, Poverty Culture and Marginalised Masculinities: Narratives of Youth and Race
- CHAPTER 5 Framing Fatherhood: Class, Race and Discourses of Dysfunction and Redemption
- CHAPTER 6 Violence and Victimhood: Representations of Excessive Masculinities
- CONCLUSION Reflections on Representations of Masculinity in British Cinema, 1990–2010
- Filmography
- Bibliography
- Index