Contemporary Musical Film / / K. J. Donnelly, Beth Carroll.
A reassessment of the film musical post-2000Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2017 |
Year of Publication: | 2022 |
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Donnelly, K. J., author. aut http://id.loc.gov/vocabulary/relators/aut Contemporary Musical Film / K. J. Donnelly, Beth Carroll. Edinburgh : Edinburgh University Press, [2022] ©2017 1 online resource (208 p.) : 12 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Music and the Moving Image : MMI Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A reassessment of the film musical post-2000Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino’s Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney’s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ‘post-millennial rock musical’, this wide-ranging collection breaks new ground in its study of this multifaceted genre.Case Studies:Camp RockSchool of RockRock of AgesRomance & CigarettesFrozenLes MiserablesMamma Mia!Fast and the Furious franchiseAcross the UniverseThe Happiness of the KatakurisO Brother, Where art Thou?Kill Bill: Volume 1Team America: World Police Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion pictures and music. Musical films History and criticism. Film, Media & Cultural Studies. MUSIC / Genres & Styles / Musicals. bisacsh Baschiera, Stefano, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brown, Geena, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bunch, Ryan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Carroll, Beth, author. aut http://id.loc.gov/vocabulary/relators/aut Carroll, Beth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Decker, Todd, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Donnelly, K. J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dubowsky, Jack Curtis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fremaux, Stephanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hatch, Craig, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haworth, Catherine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sapiro, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 9783110781403 print 9781474413121 https://doi.org/10.1515/9781474413138 https://www.degruyter.com/isbn/9781474413138 Cover https://www.degruyter.com/document/cover/isbn/9781474413138/original |
language |
English |
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eBook |
author |
Donnelly, K. J., Donnelly, K. J., Carroll, Beth, |
spellingShingle |
Donnelly, K. J., Donnelly, K. J., Carroll, Beth, Contemporary Musical Film / Music and the Moving Image : MMI Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX |
author_facet |
Donnelly, K. J., Donnelly, K. J., Carroll, Beth, Baschiera, Stefano, Baschiera, Stefano, Brown, Geena, Brown, Geena, Bunch, Ryan, Bunch, Ryan, Carroll, Beth, Carroll, Beth, Carroll, Beth, Carroll, Beth, Decker, Todd, Decker, Todd, Donnelly, K. J., Donnelly, K. J., Dubowsky, Jack Curtis, Dubowsky, Jack Curtis, Fremaux, Stephanie, Fremaux, Stephanie, Hatch, Craig, Hatch, Craig, Haworth, Catherine, Haworth, Catherine, Sapiro, Ian, Sapiro, Ian, |
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Baschiera, Stefano, Baschiera, Stefano, Brown, Geena, Brown, Geena, Bunch, Ryan, Bunch, Ryan, Carroll, Beth, Carroll, Beth, Carroll, Beth, Carroll, Beth, Decker, Todd, Decker, Todd, Donnelly, K. J., Donnelly, K. J., Dubowsky, Jack Curtis, Dubowsky, Jack Curtis, Fremaux, Stephanie, Fremaux, Stephanie, Hatch, Craig, Hatch, Craig, Haworth, Catherine, Haworth, Catherine, Sapiro, Ian, Sapiro, Ian, |
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author_sort |
Donnelly, K. J., |
title |
Contemporary Musical Film / |
title_full |
Contemporary Musical Film / K. J. Donnelly, Beth Carroll. |
title_fullStr |
Contemporary Musical Film / K. J. Donnelly, Beth Carroll. |
title_full_unstemmed |
Contemporary Musical Film / K. J. Donnelly, Beth Carroll. |
title_auth |
Contemporary Musical Film / |
title_alt |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX |
title_new |
Contemporary Musical Film / |
title_sort |
contemporary musical film / |
series |
Music and the Moving Image : MMI |
series2 |
Music and the Moving Image : MMI |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (208 p.) : 12 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX |
isbn |
9781474413138 9783110781403 9781474413121 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 M86 C65 42017 |
url |
https://doi.org/10.1515/9781474413138 https://www.degruyter.com/isbn/9781474413138 https://www.degruyter.com/document/cover/isbn/9781474413138/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4375 |
dewey-sort |
3791.4375 |
dewey-raw |
791.4375 |
dewey-search |
791.4375 |
doi_str_mv |
10.1515/9781474413138 |
oclc_num |
1306538687 |
work_keys_str_mv |
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hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
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Contemporary Musical Film / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 |
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Looking at the varying aesthetic function of soundtrack and lyric in films like Disney’s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ‘post-millennial rock musical’, this wide-ranging collection breaks new ground in its study of this multifaceted genre.Case Studies:Camp RockSchool of RockRock of AgesRomance & CigarettesFrozenLes MiserablesMamma Mia!Fast and the Furious franchiseAcross the UniverseThe Happiness of the KatakurisO Brother, Where art Thou?Kill Bill: Volume 1Team America: World Police</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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J., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Dubowsky, Jack Curtis, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fremaux, Stephanie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hatch, Craig, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Haworth, Catherine, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sapiro, Ian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2017</subfield><subfield code="z">9783110781403</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474413121</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474413138</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474413138</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474413138/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078140-3 Edinburgh University Press Complete eBook-Package 2017</subfield><subfield code="b">2017</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |