New Realism : : Contemporary British Cinema / / David Forrest.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Forrest, David,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Series: Traditions in World Cinema : TWC
• Physical Description: 1 online resource (224 p.) :; 15 B/W illustrations
• Other title: Frontmatter --; CONTENTS --; List of Figures --; Acknowledgements --; Traditions in World Cinema --; Introduction --; 1. Duane Hopkins --; 2. Joanna Hogg --; 3. Andrea Arnold --; 4. Shane Meadows --; 5. Clio Barnard --; Conclusion: New Realism is Dead, Long Live New Realism? --; References --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474413046; 9783110780413
• DOI: 10.1515/9781474413046
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: David Forrest.

An indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.