Hong Kong Neo-Noir / / Esther Yau, Tony Williams.
The first comprehensive collection on the subject of Hong Kong neo-noir cinemaThe first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cine...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2016 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in East Asian Film : ESEAF
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Online Access: | |
Physical Description: | 1 online resource (280 p.) :; 30 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Notes on the Contributors
- Introduction: Hong Kong Neo-Noir
- PART ONE. SEEDS OF NOIR IN HONG KONG CINEMA
- Chapter 1 'A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid
- Chapter 2 Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57
- Chapter 3 Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir
- PART TWO. NEO-NOIR FILMS IN CLOSE-UP
- Chapter 4 Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir
- Chapter 5 Running on Karma: Hong Kong Noir and the Political Unconscious
- Chapter 6 Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema
- Chapter 7 Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films
- PART THREE. COSMOPOLITAN CITYSPACE AND NEO-NOIR
- Chapter 8 Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene
- Chapter 9 Running Out of Time, Hard-Boiled and 24-Hour Cityspace
- Chapter 10 Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism
- Chapter 11 The Tentacles of History: Shinjuku Incident's Return of the Repressed
- Bibliography
- Filmography
- Index