Irish Queer Cinema / / Allison Macleod.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Macleod, Allison,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (192 p.) :; 15 B/W illustrations
• Other title: Frontmatter --; Contents --; List of Figures --; Acknowledgements --; 1. Queerly National and Nationally Queer: Paradoxes of an Irish Queer Cinema --; 2. Mapping Ireland’s Queer Films --; 3. Re-imagined Kinship and Failed Communities --; 4. The Contested Space of the Irish Pub --; 5. Compartmentalised Cosmopolitans and Rigid Fluidity --; 6. The Queerly Productive Constraints of Rural Space --; 7. Queer Mobilities and Disassociated Masculinities --; 8. Contested Belongings within Diasporic Space --; 9. The Irish Queer Short Film --; 10. Concluding Remarks --; Select Filmography --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474411493; 9783110780437
• DOI: 10.1515/9781474411493
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Allison Macleod.

An extensive critical study of cinematic representations of Irish queer masculinitiesDevelops innovative spatial models of queer sociality as frameworks for analysing Irish filmsProvides readings of cinematic space to assess the impact of socio-economic change on Irish identity politics and patterns of cultural representationUses queer theory to explore the relationship between Irish nationalist discourses, LGBTQ politics in Ireland and the increasing visibility of Irish queer identities on-screenIn recent years queer identities have become increasingly visible in Irish cinema, a shift that can be linked to political, economic and social changes taking place both in Ireland and around the world, as well as to changes in national film policy to cater more to international audiences. Irish Queer Cinema explores the sexual politics and socio-economic conditions that have determined the shape and evolution of these representations whilst interrogating the relationship between on-screen visibility and progressive sexual politics. Drawing together 23 films as depictive of an Irish queer cinema, including Clash of the Ash, The Crying Game and Me First, the book investigates the different ways gender and sexuality intersect with nationhood and national forms of belonging, and explores the role of queerness within the constitution of an Irish national culture.