Second Death : : Theatricalities of the Soul in Shakespeare's Drama / / Donovan Sherman.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
• VerfasserIn: Sherman, Donovan,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2016
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Series Editor’s Preface --; Introduction: Conspiring Elements --; 1. This Tough World --; 2. Governing the Wolf: Soul and Space in The Merchant of Venice --; 3. Wounding the Wound: The Monuments of Coriolanus --; 4. Mourning the Present: The Elegy of The Winter’s Tale --; Conclusion: The Semi-Theatrical Prejudice --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474411462; 9783110780444
• DOI: 10.1515/9781474411462
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Donovan Sherman.

Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean dramaSecond Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own.Key FeaturesProvides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical oneDiscusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others)Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies