Tanaka Kinuyo : : Nation, Stardom and Female Subjectivity / / Irene González-López, Michael Smith.
The first book in English dedicated to the actor and director Tanaka KinuyoPraised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema – from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguc...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in East Asian Film : ESEAF
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Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 40 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Notes on the Contributors
- Acknowledgements
- Preface: Light and Shadows in the Life of Tanaka Kinuyo
- Introduction: Onna Monogatari
- 1 Dancer, Doctor, Maiden, Mother: Tanaka Kinuyo’s Early Star Image
- 2 Meetings and Partings: How Tanaka’s Films End
- 3 Tanaka and Mizoguchi: Politics and Rebellion in the Early Post-war Era
- 4 The First Female Gaze at Post-war Japanese Women: Tanaka Kinuyo, Film Director
- 5 Kinuyo and Sumie: When Women Write and Direct
- 6 Female Authorship, Subjectivity and Colonial Memory in Tanaka Kinuyo’s The Wandering Princess (1960)
- 7 Panpan Girls, Lesbians and Post-war Women’s Communities: Girls of Dark (1961) as Women’s Cinema
- Index