Research Methods for Creating and Curating Data in the Digital Humanities / / Matt Hayler, Gabriele Griffin.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
• VerfasserIn: Hayler, Matt,; Griffin, Gabriele,
• MitwirkendeR: Bauch, Nicholas,; Deegan, Marilyn,; Deutschmann, Mats,; Eriksson, Ann-Catrine,; Evans, Mel,; Frank, Zephyr,; Gibson, Laura,; Griffin, Gabriele,; Hayler, Matt,; Hilyard, Stephen,; Kahn, Rebecca,; Lagerström, Anna,; Laycock, Geoff,; Lindhé, Cecilia,; Lindmark, Mattis,; Nygren, Thomas,; Otty, Lisa,; Robertsson, Jim,; Steiner Nygren, Erik,; Steinvall, Anders,; Tanner, Simon,; Thomson, Tara,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2016
• Year of Publication: 2022
• Language: English
• Series: Research Methods for the Arts and Humanities : RMAH
• Physical Description: 1 online resource (256 p.) :; 35 colour illustrations 4 B/W tables
• Other title: Frontmatter --; Contents --; Acknowledgements --; 1. Introduction --; 2. Choices in Digitisation for the Digital Humanities --; 3. Curating the Language of Letters: Historical Linguistic Methods in the Museum --; 4. Connecting with the Past: Opportunities and Challenges in Digital History --; 5. The Object and the Event: Time-based Digital Simulation and Illusion in the Fine Arts --; 6. Data Visualisation and the Humanities --; 7. Curating Mary Digitally: Digital Methodologies and Representations of Medieval Material Culture --; 8. Raising Language Awareness Using Digital Media: Methods for Revealing Linguistic Stereotyping --; 9. A World of Possibilities: Digitisation and the Humanities --; Notes on Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474409667; 9783110780444
• DOI: 10.1515/9781474409667
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Matt Hayler, Gabriele Griffin.

The first volume to focus on digitising and curating data online as research methods for Digital HumanitiesAs all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that’s the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.Key features:First volume to explore digitisation practices as research methods for Humanities scholarsProvides a practical and critical approach to issues of digitisationDiscusses actual digitisation projects on a ‘how-to’ basisAddresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online