Cold War Legacies : : Legacy, Theory, Aesthetics / / John Beck, Ryan Bishop.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
• VerfasserIn: Beck, John,; Bishop, Ryan,
• MitwirkendeR: Beck, John,; Bishop, Ryan,; Carpenter, Ele,; Collignon, Fabienne,; Coté, Mark,; Grausam, Daniel,; Hollings, Ken,; Mackenzie, Adrian,; Parikka, Jussi,; Phillips, John W. P.,; Piette, Adam,; Purdon, James,; Satz, Aura,; White, Neal,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2016
• Year of Publication: 2022
• Language: English
• Series: Technicities : TECH
• Physical Description: 1 online resource (320 p.) :; 20 illustrations

Connects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Coté is Lecturer in Digital Culture and Society at King's College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.

Table of Contents

Frontmatter -- Contents -- List of Figures -- Series Editors' Preface -- Acknowledgements -- Notes on Contributors -- Introduction: The Long Cold War -- I Pattern Recognition -- 1 The Future: RAND, Brand and Dangerous to Know -- 2 Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards -- 3 Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts -- II The Persistence of the Nuclear -- 4 The Meaning of Monte Bello -- 5 Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo -- 6 Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity -- 7 Alchemical Transformations? Fictions of the Nuclear State after 1989 -- III Ubiquitous Surveillance -- 8 'The Very Form of Perverse Artificial Societies': The Unstable Emergence of the Network Family from its Cold War Nuclear Bunker -- 9 The Signal-Haunted Cold War: Persistence of the SIGINT Ontology -- 10 'Bulk Surveillance', or The Elegant Technicities of Metadata -- IV Pervasive Mediations -- 11 Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower -- 12 Insect Technics: War Vision Machines -- 13 Overt Research -- 14 Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems -- Index