Douglas Sirk, Aesthetic Modernism and the Culture of Modernity / / Victoria L. Evans.

Examines the influence of modernist art and architecture on the work of American director Douglas SirkThe first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated art...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
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Physical Description:1 online resource (208 p.) :; 12 B/W illustrations
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id 9781474409407
lccn 2016478502
ctrlnum (DE-B1597)615080
(OCoLC)1306541051
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record_format marc
spelling Evans, Victoria L., author. aut http://id.loc.gov/vocabulary/relators/aut
Douglas Sirk, Aesthetic Modernism and the Culture of Modernity / Victoria L. Evans.
Edinburgh : Edinburgh University Press, [2022]
©2017
1 online resource (208 p.) : 12 B/W illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction -- Part One. Sirk and the Visual Arts -- CHAPTER ONE Thinking with the Heart: Sirk and Pictorial Reception -- CHAPTER TWO Concerning the Spiritual in Art: Magnificent Obsession and the Influence of Modernist Painting -- Part Two. The Shock of the New: Traces of Modernity -- CHAPTER THREE The Invasion of Machines and Machine Culture -- CHAPTER FOUR Imitation of Life and the Depiction of Suburban Space -- Part Three. Two Architectural Case Studies -- CHAPTER FIVE Final Chord and ‘Die Neue Welt’: The Mise-en-scène of Aufbruch -- CHAPTER SIX Back to the Future: Modernist Architecture and All That Heaven Allows -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Examines the influence of modernist art and architecture on the work of American director Douglas SirkThe first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirk’s formal style emerged from his detailed understanding of the artistic debates that raged in 1920s Europe and the post-war United States. With detailed case studies of Final Chord and All That Heaven Allows, Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films. Treating Sirk’s oeuvre as a continuum between his German and American periods, Evans argues that his mise-en-scène was the result of an interdisciplinary, transnational dialogue, and illuminates the broader cultural context in which his films appeared by establishing links between archival documents, Modernist manifestos and the philosophical writings of his peers.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / Direction & Production. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 9783110781403
print 9781474409391
https://doi.org/10.1515/9781474409407?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474409407
Cover https://www.degruyter.com/document/cover/isbn/9781474409407/original
language English
format eBook
author Evans, Victoria L.,
Evans, Victoria L.,
spellingShingle Evans, Victoria L.,
Evans, Victoria L.,
Douglas Sirk, Aesthetic Modernism and the Culture of Modernity /
Frontmatter --
Contents --
Figures --
Acknowledgements --
Introduction --
Part One. Sirk and the Visual Arts --
CHAPTER ONE Thinking with the Heart: Sirk and Pictorial Reception --
CHAPTER TWO Concerning the Spiritual in Art: Magnificent Obsession and the Influence of Modernist Painting --
Part Two. The Shock of the New: Traces of Modernity --
CHAPTER THREE The Invasion of Machines and Machine Culture --
CHAPTER FOUR Imitation of Life and the Depiction of Suburban Space --
Part Three. Two Architectural Case Studies --
CHAPTER FIVE Final Chord and ‘Die Neue Welt’: The Mise-en-scène of Aufbruch --
CHAPTER SIX Back to the Future: Modernist Architecture and All That Heaven Allows --
Bibliography --
Index
author_facet Evans, Victoria L.,
Evans, Victoria L.,
author_variant v l e vl vle
v l e vl vle
author_role VerfasserIn
VerfasserIn
author_sort Evans, Victoria L.,
title Douglas Sirk, Aesthetic Modernism and the Culture of Modernity /
title_full Douglas Sirk, Aesthetic Modernism and the Culture of Modernity / Victoria L. Evans.
title_fullStr Douglas Sirk, Aesthetic Modernism and the Culture of Modernity / Victoria L. Evans.
title_full_unstemmed Douglas Sirk, Aesthetic Modernism and the Culture of Modernity / Victoria L. Evans.
title_auth Douglas Sirk, Aesthetic Modernism and the Culture of Modernity /
title_alt Frontmatter --
Contents --
Figures --
Acknowledgements --
Introduction --
Part One. Sirk and the Visual Arts --
CHAPTER ONE Thinking with the Heart: Sirk and Pictorial Reception --
CHAPTER TWO Concerning the Spiritual in Art: Magnificent Obsession and the Influence of Modernist Painting --
Part Two. The Shock of the New: Traces of Modernity --
CHAPTER THREE The Invasion of Machines and Machine Culture --
CHAPTER FOUR Imitation of Life and the Depiction of Suburban Space --
Part Three. Two Architectural Case Studies --
CHAPTER FIVE Final Chord and ‘Die Neue Welt’: The Mise-en-scène of Aufbruch --
CHAPTER SIX Back to the Future: Modernist Architecture and All That Heaven Allows --
Bibliography --
Index
title_new Douglas Sirk, Aesthetic Modernism and the Culture of Modernity /
title_sort douglas sirk, aesthetic modernism and the culture of modernity /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (208 p.) : 12 B/W illustrations
contents Frontmatter --
Contents --
Figures --
Acknowledgements --
Introduction --
Part One. Sirk and the Visual Arts --
CHAPTER ONE Thinking with the Heart: Sirk and Pictorial Reception --
CHAPTER TWO Concerning the Spiritual in Art: Magnificent Obsession and the Influence of Modernist Painting --
Part Two. The Shock of the New: Traces of Modernity --
CHAPTER THREE The Invasion of Machines and Machine Culture --
CHAPTER FOUR Imitation of Life and the Depiction of Suburban Space --
Part Three. Two Architectural Case Studies --
CHAPTER FIVE Final Chord and ‘Die Neue Welt’: The Mise-en-scène of Aufbruch --
CHAPTER SIX Back to the Future: Modernist Architecture and All That Heaven Allows --
Bibliography --
Index
isbn 9781474409407
9783110781403
9781474409391
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3 S57 E93 42017
url https://doi.org/10.1515/9781474409407?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474409407
https://www.degruyter.com/document/cover/isbn/9781474409407/original
illustrated Not Illustrated
doi_str_mv 10.1515/9781474409407?locatt=mode:legacy
oclc_num 1306541051
work_keys_str_mv AT evansvictorial douglassirkaestheticmodernismandthecultureofmodernity
status_str n
ids_txt_mv (DE-B1597)615080
(OCoLC)1306541051
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
is_hierarchy_title Douglas Sirk, Aesthetic Modernism and the Culture of Modernity /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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