Contemporary Russian Cinema : : Symbols of a New Era / / Vlad Strukov.
Explores the symbolic mode in relation to contemporary Russian filmOne of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established di...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2016 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (304 p.) :; 24 B/W illustrations |
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100 | 1 | |a Strukov, Vlad, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Contemporary Russian Cinema : |b Symbols of a New Era / |c Vlad Strukov. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (304 p.) : |b 24 B/W illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Acknowledgements -- |t Note on Transliteration -- |t Figures -- |t Introduction -- |t 1 Abstracted Subjectivity and Knowledge-Worlds: Aleksandr Sokurov's Taurus (2001) -- |t 2 The Lacking Sense of Cinema: Aleksandr Proshkin's The Miracle (2009) -- |t 3 Gatekeepers of (Non-)Knowledge: Aleksei Balabanov's Morphine (2008) -- |t 4 Symbolic Folds and Flattened Discourse: Andrei Zviagintsev's Elena (2010) -- |t 5 Non-Knowledge and the Symbolic Mode: Nikolai Khomeriki's A Tale About Darkness (2009) -- |t 6 The World and the Event: Kirill Serebrennikov's St George's Day (2008) -- |t 7 A Plea for the Dead (Self): Renata Litvinova's Goddess: How I Fell in Love (2004) -- |t 8 Body in Crisis and Posthumous Subjectivity: Igor' Voloshin's Nirvana (2008) -- |t 9 The Difficulty of Being Dead: Aleksandr Veledinskii's Alive (2006) -- |t 10 Intentionality and Modelled Subjectivities: Aleksei Fedorchenko's Silent Souls (2010) -- |t 11 Abandoned Being: Mikhail Kalatozishvili's The Wild Field (2008) -- |t 12 Amplifications of Subjectivity: Aleksandr Zel'dovich's The Target (2010) -- |t Filmography -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Explores the symbolic mode in relation to contemporary Russian filmOne of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established directors such as Sokurov, Zviagintsev and Zel'dovich, as well as lesser-known filmmakers like Balabanov, Fedorchenko and Kalatozishvili, Contemporary Russian Cinema: Symbols of a New Era explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language. Whether directed towards a mystical world, or even towards an afterlife, the symbolic mode defines the emergence of a specific mindscape which has escaped previous representational forms and is intrinsically linked to Russia's dramatic political and economic development since the turn of the 21st century.Key FeaturesOffers a new perspective on contemporary film in the symbolic modeProvides a thorough examination of works by established directors such as Sokurov, Zviagintsev and Zel'dovich, as well as lesser-known filmmakers like Balabanov, Fedorchenko and Kalatozishvili | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Motion pictures |x History |x Russia (Federation). | |
650 | 0 | |a Motion pictures |x Production and direction |x Russia (Federation). | |
650 | 0 | |a Motion pictures |x Production and direction |z Russia (Federation) | |
650 | 0 | |a Motion pictures |x Production and direction |z Russia (Federation). | |
650 | 0 | |a Motion pictures |z Russia (Federation) |x History and criticism. | |
650 | 0 | |a Motion pictures |z Russia (Federation) |x History |y 21st century. | |
650 | 0 | |a Symbolism in motion pictures. | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Complete eBook-Package 2016 |z 9783110780444 |
776 | 0 | |c print |z 9781474407649 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474407656?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781474407656 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781474407656/original |
912 | |a 978-3-11-078044-4 Edinburgh University Press Complete eBook-Package 2016 |b 2016 | ||
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