Indie Reframed : : Women's Filmmaking and Contemporary American Independent Cinema / / Claire Perkins, Michele Schreiber, Linda Badley.
Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2016 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in American Cinema : TAC
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Physical Description: | 1 online resource (320 p.) :; 30 B/W illustrations |
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Badley, Linda, author. aut http://id.loc.gov/vocabulary/relators/aut Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / Claire Perkins, Michele Schreiber, Linda Badley. Edinburgh : Edinburgh University Press, [2022] ©2016 1 online resource (320 p.) : 30 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in American Cinema : TAC Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION Linda Badley, Claire Perkins and Michele Schreiber -- PART I. PRODUCTION AND DISTRIBUTION CONTEXTS -- 1. WOMEN MAKE MOVIES: CHICKEN & EGG PICTURES, GAMECHANGER FILMS AND THE FUTURE OF FEMALE INDEPENDENT FILMMAKING -- 2. KILLER FEMINISM -- 3. 'A WOMAN WITH AN ENDGAME': MEGAN ELLISON, ANNAPURNA PICTURES AND AMERICAN INDEPENDENT FILM PRODUCTION -- 4. SUSAN SEIDELMAN'S CONTEMPORARY FILMS: THE FEMINIST ART OF SELF-REINVENTION IN A CHANGING TECHNOLOGICAL LANDSCAPE -- 5. 'I'M ABSOLUTELY THE RIGHT PERSON FOR THIS JOB': ALLISON ANDERS AND MARY HARRON ON LIFETIME TELEVISION -- PART II GENRES AND MODALITIES -- 6. GENDER, GENRE AND MORE GENERAL INDIE DIMENSIONS IN MEGAN GRIFFITHS' THE OFF HOURS AND EDEN -- 7. DOWN TO THE BONE: NEO-NEOREALISM AND GENRE IN CONTEMPORARY WOMEN'S INDIES -- 8. MY EFFORTLESS BRILLIANCE: WOMEN'S MUMBLECORE -- 9. BLACK WOMEN, ROMANCE AND THE INDIEWOOD ROM COMS OF SANAA HAMRI -- PART III IDENTITIES -- 10. FROM DOCUMENTARY TO FICTIONAL REALISM: MIRA NAIR'S DOCUMENTARY ROOTS, FICTIONAL HOME AND PRODUCTION POLITICS -- 11. HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN 'INDIE' CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED -- 12. NOT JUST INDIE: A LOOK AT FILMS BY DEE REES, AVA DUVERNAY AND KASI LEMMONS -- 13. SEXUAL IN-BETWEENER/INDUSTRY IN-BETWEENER: THE CAREER AND FILMS OF LISA CHOLODENKO -- 14. MIRANDA JULY AND THE NEW TWENTY-FIRST-CENTURY INDIE -- PART IV COLLABORATIONS -- 15. MUTUAL MUSES IN AMERICAN INDEPENDENT FILM: CATHERINE KEENER AND NICOLE HOLOFCENER, MICHELLE WILLIAMS AND KELLY REICHARDT -- 16. THE FEMINIST POLITICS OF COLLABORATION IN LENA DUNHAM'S TINY FURNITURE -- 17. THE DIRECTOR AS FACILITATOR: COLLABORATION, COOPERATION AND THE GENDER POLITICS OF THE SET -- 18. BEYOND THE SCREEN: ON CONTEMPORARY FEMINIST MEDIA RE-ARTICULATIONS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American women's independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Alberti, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Badley, Linda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baron, Cynthia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cobb, Shelley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Columpar, Corinn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Filippo, Maria San, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Holmlund, Chris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb King, Geoff, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lane, Christina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lyons, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McHugh, Kathleen A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ono, Kent A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Papadimitriou, Lydia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pederson, Claudia Costa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Perkins, Claire, author. aut http://id.loc.gov/vocabulary/relators/aut Perkins, Claire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Projansky, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schreiber, Michele, author. aut http://id.loc.gov/vocabulary/relators/aut Schreiber, Michele, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sinwell, Sarah E. S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tzioumakis, Yannis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb White, Patricia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zimmermann, Patricia R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 9783110780444 print 9781474403924 https://doi.org/10.1515/9781474403931?locatt=mode:legacy https://www.degruyter.com/isbn/9781474403931 Cover https://www.degruyter.com/document/cover/isbn/9781474403931/original |
language |
English |
format |
eBook |
author |
Badley, Linda, Badley, Linda, Perkins, Claire, Schreiber, Michele, |
spellingShingle |
Badley, Linda, Badley, Linda, Perkins, Claire, Schreiber, Michele, Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / Traditions in American Cinema : TAC Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION Linda Badley, Claire Perkins and Michele Schreiber -- PART I. PRODUCTION AND DISTRIBUTION CONTEXTS -- 1. WOMEN MAKE MOVIES: CHICKEN & EGG PICTURES, GAMECHANGER FILMS AND THE FUTURE OF FEMALE INDEPENDENT FILMMAKING -- 2. KILLER FEMINISM -- 3. 'A WOMAN WITH AN ENDGAME': MEGAN ELLISON, ANNAPURNA PICTURES AND AMERICAN INDEPENDENT FILM PRODUCTION -- 4. SUSAN SEIDELMAN'S CONTEMPORARY FILMS: THE FEMINIST ART OF SELF-REINVENTION IN A CHANGING TECHNOLOGICAL LANDSCAPE -- 5. 'I'M ABSOLUTELY THE RIGHT PERSON FOR THIS JOB': ALLISON ANDERS AND MARY HARRON ON LIFETIME TELEVISION -- PART II GENRES AND MODALITIES -- 6. GENDER, GENRE AND MORE GENERAL INDIE DIMENSIONS IN MEGAN GRIFFITHS' THE OFF HOURS AND EDEN -- 7. DOWN TO THE BONE: NEO-NEOREALISM AND GENRE IN CONTEMPORARY WOMEN'S INDIES -- 8. MY EFFORTLESS BRILLIANCE: WOMEN'S MUMBLECORE -- 9. BLACK WOMEN, ROMANCE AND THE INDIEWOOD ROM COMS OF SANAA HAMRI -- PART III IDENTITIES -- 10. FROM DOCUMENTARY TO FICTIONAL REALISM: MIRA NAIR'S DOCUMENTARY ROOTS, FICTIONAL HOME AND PRODUCTION POLITICS -- 11. HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN 'INDIE' CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED -- 12. NOT JUST INDIE: A LOOK AT FILMS BY DEE REES, AVA DUVERNAY AND KASI LEMMONS -- 13. SEXUAL IN-BETWEENER/INDUSTRY IN-BETWEENER: THE CAREER AND FILMS OF LISA CHOLODENKO -- 14. MIRANDA JULY AND THE NEW TWENTY-FIRST-CENTURY INDIE -- PART IV COLLABORATIONS -- 15. MUTUAL MUSES IN AMERICAN INDEPENDENT FILM: CATHERINE KEENER AND NICOLE HOLOFCENER, MICHELLE WILLIAMS AND KELLY REICHARDT -- 16. THE FEMINIST POLITICS OF COLLABORATION IN LENA DUNHAM'S TINY FURNITURE -- 17. THE DIRECTOR AS FACILITATOR: COLLABORATION, COOPERATION AND THE GENDER POLITICS OF THE SET -- 18. BEYOND THE SCREEN: ON CONTEMPORARY FEMINIST MEDIA RE-ARTICULATIONS -- INDEX |
author_facet |
Badley, Linda, Badley, Linda, Perkins, Claire, Schreiber, Michele, Alberti, John, Alberti, John, Badley, Linda, Badley, Linda, Baron, Cynthia, Baron, Cynthia, Cobb, Shelley, Cobb, Shelley, Columpar, Corinn, Columpar, Corinn, Filippo, Maria San, Filippo, Maria San, Holmlund, Chris, Holmlund, Chris, King, Geoff, King, Geoff, Lane, Christina, Lane, Christina, Lyons, James, Lyons, James, McHugh, Kathleen A., McHugh, Kathleen A., Ono, Kent A., Ono, Kent A., Papadimitriou, Lydia, Papadimitriou, Lydia, Pederson, Claudia Costa, Pederson, Claudia Costa, Perkins, Claire, Perkins, Claire, Perkins, Claire, Perkins, Claire, Projansky, Sarah, Projansky, Sarah, Schreiber, Michele, Schreiber, Michele, Schreiber, Michele, Schreiber, Michele, Sinwell, Sarah E. S., Sinwell, Sarah E. S., Tzioumakis, Yannis, Tzioumakis, Yannis, White, Patricia, White, Patricia, Zimmermann, Patricia R., Zimmermann, Patricia R., |
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Alberti, John, Alberti, John, Badley, Linda, Badley, Linda, Baron, Cynthia, Baron, Cynthia, Cobb, Shelley, Cobb, Shelley, Columpar, Corinn, Columpar, Corinn, Filippo, Maria San, Filippo, Maria San, Holmlund, Chris, Holmlund, Chris, King, Geoff, King, Geoff, Lane, Christina, Lane, Christina, Lyons, James, Lyons, James, McHugh, Kathleen A., McHugh, Kathleen A., Ono, Kent A., Ono, Kent A., Papadimitriou, Lydia, Papadimitriou, Lydia, Pederson, Claudia Costa, Pederson, Claudia Costa, Perkins, Claire, Perkins, Claire, Perkins, Claire, Perkins, Claire, Projansky, Sarah, Projansky, Sarah, Schreiber, Michele, Schreiber, Michele, Schreiber, Michele, Schreiber, Michele, Sinwell, Sarah E. S., Sinwell, Sarah E. S., Tzioumakis, Yannis, Tzioumakis, Yannis, White, Patricia, White, Patricia, Zimmermann, Patricia R., Zimmermann, Patricia R., |
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author_sort |
Badley, Linda, |
title |
Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / |
title_sub |
Women's Filmmaking and Contemporary American Independent Cinema / |
title_full |
Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / Claire Perkins, Michele Schreiber, Linda Badley. |
title_fullStr |
Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / Claire Perkins, Michele Schreiber, Linda Badley. |
title_full_unstemmed |
Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / Claire Perkins, Michele Schreiber, Linda Badley. |
title_auth |
Indie Reframed : Women's Filmmaking and Contemporary American Independent Cinema / |
title_alt |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION Linda Badley, Claire Perkins and Michele Schreiber -- PART I. PRODUCTION AND DISTRIBUTION CONTEXTS -- 1. WOMEN MAKE MOVIES: CHICKEN & EGG PICTURES, GAMECHANGER FILMS AND THE FUTURE OF FEMALE INDEPENDENT FILMMAKING -- 2. KILLER FEMINISM -- 3. 'A WOMAN WITH AN ENDGAME': MEGAN ELLISON, ANNAPURNA PICTURES AND AMERICAN INDEPENDENT FILM PRODUCTION -- 4. SUSAN SEIDELMAN'S CONTEMPORARY FILMS: THE FEMINIST ART OF SELF-REINVENTION IN A CHANGING TECHNOLOGICAL LANDSCAPE -- 5. 'I'M ABSOLUTELY THE RIGHT PERSON FOR THIS JOB': ALLISON ANDERS AND MARY HARRON ON LIFETIME TELEVISION -- PART II GENRES AND MODALITIES -- 6. GENDER, GENRE AND MORE GENERAL INDIE DIMENSIONS IN MEGAN GRIFFITHS' THE OFF HOURS AND EDEN -- 7. DOWN TO THE BONE: NEO-NEOREALISM AND GENRE IN CONTEMPORARY WOMEN'S INDIES -- 8. MY EFFORTLESS BRILLIANCE: WOMEN'S MUMBLECORE -- 9. BLACK WOMEN, ROMANCE AND THE INDIEWOOD ROM COMS OF SANAA HAMRI -- PART III IDENTITIES -- 10. FROM DOCUMENTARY TO FICTIONAL REALISM: MIRA NAIR'S DOCUMENTARY ROOTS, FICTIONAL HOME AND PRODUCTION POLITICS -- 11. HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN 'INDIE' CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED -- 12. NOT JUST INDIE: A LOOK AT FILMS BY DEE REES, AVA DUVERNAY AND KASI LEMMONS -- 13. SEXUAL IN-BETWEENER/INDUSTRY IN-BETWEENER: THE CAREER AND FILMS OF LISA CHOLODENKO -- 14. MIRANDA JULY AND THE NEW TWENTY-FIRST-CENTURY INDIE -- PART IV COLLABORATIONS -- 15. MUTUAL MUSES IN AMERICAN INDEPENDENT FILM: CATHERINE KEENER AND NICOLE HOLOFCENER, MICHELLE WILLIAMS AND KELLY REICHARDT -- 16. THE FEMINIST POLITICS OF COLLABORATION IN LENA DUNHAM'S TINY FURNITURE -- 17. THE DIRECTOR AS FACILITATOR: COLLABORATION, COOPERATION AND THE GENDER POLITICS OF THE SET -- 18. BEYOND THE SCREEN: ON CONTEMPORARY FEMINIST MEDIA RE-ARTICULATIONS -- INDEX |
title_new |
Indie Reframed : |
title_sort |
indie reframed : women's filmmaking and contemporary american independent cinema / |
series |
Traditions in American Cinema : TAC |
series2 |
Traditions in American Cinema : TAC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (320 p.) : 30 B/W illustrations Issued also in print. |
contents |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION Linda Badley, Claire Perkins and Michele Schreiber -- PART I. PRODUCTION AND DISTRIBUTION CONTEXTS -- 1. WOMEN MAKE MOVIES: CHICKEN & EGG PICTURES, GAMECHANGER FILMS AND THE FUTURE OF FEMALE INDEPENDENT FILMMAKING -- 2. KILLER FEMINISM -- 3. 'A WOMAN WITH AN ENDGAME': MEGAN ELLISON, ANNAPURNA PICTURES AND AMERICAN INDEPENDENT FILM PRODUCTION -- 4. SUSAN SEIDELMAN'S CONTEMPORARY FILMS: THE FEMINIST ART OF SELF-REINVENTION IN A CHANGING TECHNOLOGICAL LANDSCAPE -- 5. 'I'M ABSOLUTELY THE RIGHT PERSON FOR THIS JOB': ALLISON ANDERS AND MARY HARRON ON LIFETIME TELEVISION -- PART II GENRES AND MODALITIES -- 6. GENDER, GENRE AND MORE GENERAL INDIE DIMENSIONS IN MEGAN GRIFFITHS' THE OFF HOURS AND EDEN -- 7. DOWN TO THE BONE: NEO-NEOREALISM AND GENRE IN CONTEMPORARY WOMEN'S INDIES -- 8. MY EFFORTLESS BRILLIANCE: WOMEN'S MUMBLECORE -- 9. BLACK WOMEN, ROMANCE AND THE INDIEWOOD ROM COMS OF SANAA HAMRI -- PART III IDENTITIES -- 10. FROM DOCUMENTARY TO FICTIONAL REALISM: MIRA NAIR'S DOCUMENTARY ROOTS, FICTIONAL HOME AND PRODUCTION POLITICS -- 11. HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN 'INDIE' CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED -- 12. NOT JUST INDIE: A LOOK AT FILMS BY DEE REES, AVA DUVERNAY AND KASI LEMMONS -- 13. SEXUAL IN-BETWEENER/INDUSTRY IN-BETWEENER: THE CAREER AND FILMS OF LISA CHOLODENKO -- 14. MIRANDA JULY AND THE NEW TWENTY-FIRST-CENTURY INDIE -- PART IV COLLABORATIONS -- 15. MUTUAL MUSES IN AMERICAN INDEPENDENT FILM: CATHERINE KEENER AND NICOLE HOLOFCENER, MICHELLE WILLIAMS AND KELLY REICHARDT -- 16. THE FEMINIST POLITICS OF COLLABORATION IN LENA DUNHAM'S TINY FURNITURE -- 17. THE DIRECTOR AS FACILITATOR: COLLABORATION, COOPERATION AND THE GENDER POLITICS OF THE SET -- 18. BEYOND THE SCREEN: ON CONTEMPORARY FEMINIST MEDIA RE-ARTICULATIONS -- INDEX |
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9781474403931 9783110780444 9781474403924 |
url |
https://doi.org/10.1515/9781474403931?locatt=mode:legacy https://www.degruyter.com/isbn/9781474403931 https://www.degruyter.com/document/cover/isbn/9781474403931/original |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09473nam a22009255i 4500</leader><controlfield tag="001">9781474403931</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20222016stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474403931</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474403931</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)615950</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Badley, Linda, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Indie Reframed :</subfield><subfield code="b">Women's Filmmaking and Contemporary American Independent Cinema /</subfield><subfield code="c">Claire Perkins, Michele Schreiber, Linda Badley.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (320 p.) :</subfield><subfield code="b">30 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in American Cinema : TAC</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">LIST OF ILLUSTRATIONS -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">NOTES ON THE CONTRIBUTORS -- </subfield><subfield code="t">INTRODUCTION Linda Badley, Claire Perkins and Michele Schreiber -- </subfield><subfield code="t">PART I. PRODUCTION AND DISTRIBUTION CONTEXTS -- </subfield><subfield code="t">1. WOMEN MAKE MOVIES: CHICKEN & EGG PICTURES, GAMECHANGER FILMS AND THE FUTURE OF FEMALE INDEPENDENT FILMMAKING -- </subfield><subfield code="t">2. KILLER FEMINISM -- </subfield><subfield code="t">3. 'A WOMAN WITH AN ENDGAME': MEGAN ELLISON, ANNAPURNA PICTURES AND AMERICAN INDEPENDENT FILM PRODUCTION -- </subfield><subfield code="t">4. SUSAN SEIDELMAN'S CONTEMPORARY FILMS: THE FEMINIST ART OF SELF-REINVENTION IN A CHANGING TECHNOLOGICAL LANDSCAPE -- </subfield><subfield code="t">5. 'I'M ABSOLUTELY THE RIGHT PERSON FOR THIS JOB': ALLISON ANDERS AND MARY HARRON ON LIFETIME TELEVISION -- </subfield><subfield code="t">PART II GENRES AND MODALITIES -- </subfield><subfield code="t">6. GENDER, GENRE AND MORE GENERAL INDIE DIMENSIONS IN MEGAN GRIFFITHS' THE OFF HOURS AND EDEN -- </subfield><subfield code="t">7. DOWN TO THE BONE: NEO-NEOREALISM AND GENRE IN CONTEMPORARY WOMEN'S INDIES -- </subfield><subfield code="t">8. MY EFFORTLESS BRILLIANCE: WOMEN'S MUMBLECORE -- </subfield><subfield code="t">9. BLACK WOMEN, ROMANCE AND THE INDIEWOOD ROM COMS OF SANAA HAMRI -- </subfield><subfield code="t">PART III IDENTITIES -- </subfield><subfield code="t">10. FROM DOCUMENTARY TO FICTIONAL REALISM: MIRA NAIR'S DOCUMENTARY ROOTS, FICTIONAL HOME AND PRODUCTION POLITICS -- </subfield><subfield code="t">11. HAVING ITS CAKE AND EATING IT TOO: CONTEMPORARY AMERICAN 'INDIE' CINEMA AND MY BIG FAT GREEK WEDDING REFRAMED -- </subfield><subfield code="t">12. NOT JUST INDIE: A LOOK AT FILMS BY DEE REES, AVA DUVERNAY AND KASI LEMMONS -- </subfield><subfield code="t">13. SEXUAL IN-BETWEENER/INDUSTRY IN-BETWEENER: THE CAREER AND FILMS OF LISA CHOLODENKO -- </subfield><subfield code="t">14. MIRANDA JULY AND THE NEW TWENTY-FIRST-CENTURY INDIE -- </subfield><subfield code="t">PART IV COLLABORATIONS -- </subfield><subfield code="t">15. MUTUAL MUSES IN AMERICAN INDEPENDENT FILM: CATHERINE KEENER AND NICOLE HOLOFCENER, MICHELLE WILLIAMS AND KELLY REICHARDT -- </subfield><subfield code="t">16. THE FEMINIST POLITICS OF COLLABORATION IN LENA DUNHAM'S TINY FURNITURE -- </subfield><subfield code="t">17. THE DIRECTOR AS FACILITATOR: COLLABORATION, COOPERATION AND THE GENDER POLITICS OF THE SET -- </subfield><subfield code="t">18. BEYOND THE SCREEN: ON CONTEMPORARY FEMINIST MEDIA RE-ARTICULATIONS -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American women's independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alberti, John, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Badley, Linda, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baron, Cynthia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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