Greek Laughter and Tears : : Antiquity and After / / Margaret Alexiou, Douglas Cairns.
Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotio...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2017 |
Year of Publication: | 2022 |
Language: | English |
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Alexiou, Margaret, author. aut http://id.loc.gov/vocabulary/relators/aut Greek Laughter and Tears : Antiquity and After / Margaret Alexiou, Douglas Cairns. Edinburgh : Edinburgh University Press, [2022] ©2017 1 online resource (504 p.) : 30 B/W illustrations 1 B/W tables text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Leventis Studies : ELS Frontmatter -- CONTENTS -- List of Illustrations -- Preface -- Notes on Contributors -- 1 Introduction -- PART I ANCIENT KEYNOTES: FROM HOMER TO LUCIAN -- 2 Laughter and Tears in Early Greek Literature -- 3 Imagining Divine Laughter in Homer and Lucian -- 4 Parody, Symbol and the Literary Past in Lucian -- PART II ANCIENT MODELS, BYZANTINE COLLECTIONS: EPIGRAMS, RIDDLES AND JOKES -- 5 ‘Tantalus Ever in Tears’: The Greek Anthology as a Source of Emotions in Late Antiquity -- 6 ‘Do You Think You’re Clever? Solve This Riddle, Then!’ The Comic Side of Byzantine Enigmatic Poetry -- 7 Philogelos: An Anti-Intellectual Joke-Book -- PART III BYZANTINE PERSPECTIVES: TEARS AND LAUGHTER, THEORY AND PRAXIS -- 8 ‘Messages of the Soul’: Tears, Smiles, Laughter and Emotions Expressed by them in Byzantine Literature -- 9 Towards a Byzantine Theory of the Comic? -- 10 Staging Laughter and Tears: Libanius, Chrysostom and the Riot of the Statues -- 11 Lamenting for the Fall of Jerusalem in the Seventh Century CE -- 12 Guiding Grief: Liturgical Poetry and Ritual Lamentation in Early Byzantium -- PART IV LAUGHTER, POWER AND SUBVERSION -- 13 Mime and the Dangers of Laughter in Late Antiquity -- 14 Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium -- 15 The Power of Amusement and the Amusement of Power: The Princely Frescoes of St Sophia, Kiev, and their Connections to the Byzantine World -- 16 Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium -- PART V GENDER, GENRE AND LANGUAGE: LOSS AND SURVIVAL -- 17 Comforting Tears and Suggestive Smiles: To Laugh and Cry in the Komnenian Novel -- 18 Do Brothers Weep? Male Grief, Mourning, Lament and Tears in Eleventh- and Twelfth-Century Byzantium -- 19 Laments by Nicetas Choniates and Others for the Fall of Constantinople in 1204 -- 20 ‘Words Filled With Tears’: Amorous Discourse as Lamentation in the Palaiologan Romances -- 21 The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature -- 22 Belisarius in the Shadow Theatre: The Private Calvary of a Legendary General -- 23 Afterword -- Appendix CHYROGLES, or The Girl With Two Husbands -- Bibliography -- Index Locorum -- Index Rerum restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Emotions in art. Emotions in literature. Emotions in music. Greek literature History and criticism. Classics & Ancient History. HISTORY / Ancient / General. bisacsh Agapitos, Panagiotis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Alexiou, Margaret, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Angold, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ashbrook Harvey, Susan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beaton, Roderick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beta, Simone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boeck, Elena, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cairns, Douglas, author. aut http://id.loc.gov/vocabulary/relators/aut Cairns, Douglas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Halliwell, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Herrin, Judith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hinterberger, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Holton, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Maciver, Calum, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marciniak, Przemysław, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mullett, Margaret, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nilsson, Ingela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Papadogiannakis, Ioannis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pizzone, Aglae, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Seaford, Richard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stavrakopoulou, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stenger, Jan R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Walker, Alicia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Webb, Ruth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb West, Stephanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017 9783110781403 print 9781474403795 https://doi.org/10.1515/9781474403801?locatt=mode:legacy https://www.degruyter.com/isbn/9781474403801 Cover https://www.degruyter.com/document/cover/isbn/9781474403801/original |
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Alexiou, Margaret, Alexiou, Margaret, Cairns, Douglas, |
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Alexiou, Margaret, Alexiou, Margaret, Cairns, Douglas, Greek Laughter and Tears : Antiquity and After / Edinburgh Leventis Studies : ELS Frontmatter -- CONTENTS -- List of Illustrations -- Preface -- Notes on Contributors -- 1 Introduction -- PART I ANCIENT KEYNOTES: FROM HOMER TO LUCIAN -- 2 Laughter and Tears in Early Greek Literature -- 3 Imagining Divine Laughter in Homer and Lucian -- 4 Parody, Symbol and the Literary Past in Lucian -- PART II ANCIENT MODELS, BYZANTINE COLLECTIONS: EPIGRAMS, RIDDLES AND JOKES -- 5 ‘Tantalus Ever in Tears’: The Greek Anthology as a Source of Emotions in Late Antiquity -- 6 ‘Do You Think You’re Clever? Solve This Riddle, Then!’ The Comic Side of Byzantine Enigmatic Poetry -- 7 Philogelos: An Anti-Intellectual Joke-Book -- PART III BYZANTINE PERSPECTIVES: TEARS AND LAUGHTER, THEORY AND PRAXIS -- 8 ‘Messages of the Soul’: Tears, Smiles, Laughter and Emotions Expressed by them in Byzantine Literature -- 9 Towards a Byzantine Theory of the Comic? -- 10 Staging Laughter and Tears: Libanius, Chrysostom and the Riot of the Statues -- 11 Lamenting for the Fall of Jerusalem in the Seventh Century CE -- 12 Guiding Grief: Liturgical Poetry and Ritual Lamentation in Early Byzantium -- PART IV LAUGHTER, POWER AND SUBVERSION -- 13 Mime and the Dangers of Laughter in Late Antiquity -- 14 Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium -- 15 The Power of Amusement and the Amusement of Power: The Princely Frescoes of St Sophia, Kiev, and their Connections to the Byzantine World -- 16 Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium -- PART V GENDER, GENRE AND LANGUAGE: LOSS AND SURVIVAL -- 17 Comforting Tears and Suggestive Smiles: To Laugh and Cry in the Komnenian Novel -- 18 Do Brothers Weep? Male Grief, Mourning, Lament and Tears in Eleventh- and Twelfth-Century Byzantium -- 19 Laments by Nicetas Choniates and Others for the Fall of Constantinople in 1204 -- 20 ‘Words Filled With Tears’: Amorous Discourse as Lamentation in the Palaiologan Romances -- 21 The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature -- 22 Belisarius in the Shadow Theatre: The Private Calvary of a Legendary General -- 23 Afterword -- Appendix CHYROGLES, or The Girl With Two Husbands -- Bibliography -- Index Locorum -- Index Rerum |
author_facet |
Alexiou, Margaret, Alexiou, Margaret, Cairns, Douglas, Agapitos, Panagiotis, Agapitos, Panagiotis, Alexiou, Margaret, Alexiou, Margaret, Angold, Michael, Angold, Michael, Ashbrook Harvey, Susan, Ashbrook Harvey, Susan, Beaton, Roderick, Beaton, Roderick, Beta, Simone, Beta, Simone, Boeck, Elena, Boeck, Elena, Cairns, Douglas, Cairns, Douglas, Cairns, Douglas, Cairns, Douglas, Halliwell, Stephen, Halliwell, Stephen, Herrin, Judith, Herrin, Judith, Hinterberger, Martin, Hinterberger, Martin, Holton, David, Holton, David, Maciver, Calum, Maciver, Calum, Marciniak, Przemysław, Marciniak, Przemysław, Mullett, Margaret, Mullett, Margaret, Nilsson, Ingela, Nilsson, Ingela, Papadogiannakis, Ioannis, Papadogiannakis, Ioannis, Pizzone, Aglae, Pizzone, Aglae, Seaford, Richard, Seaford, Richard, Stavrakopoulou, Anna, Stavrakopoulou, Anna, Stenger, Jan R., Stenger, Jan R., Walker, Alicia, Walker, Alicia, Webb, Ruth, Webb, Ruth, West, Stephanie, West, Stephanie, |
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Agapitos, Panagiotis, Agapitos, Panagiotis, Alexiou, Margaret, Alexiou, Margaret, Angold, Michael, Angold, Michael, Ashbrook Harvey, Susan, Ashbrook Harvey, Susan, Beaton, Roderick, Beaton, Roderick, Beta, Simone, Beta, Simone, Boeck, Elena, Boeck, Elena, Cairns, Douglas, Cairns, Douglas, Cairns, Douglas, Cairns, Douglas, Halliwell, Stephen, Halliwell, Stephen, Herrin, Judith, Herrin, Judith, Hinterberger, Martin, Hinterberger, Martin, Holton, David, Holton, David, Maciver, Calum, Maciver, Calum, Marciniak, Przemysław, Marciniak, Przemysław, Mullett, Margaret, Mullett, Margaret, Nilsson, Ingela, Nilsson, Ingela, Papadogiannakis, Ioannis, Papadogiannakis, Ioannis, Pizzone, Aglae, Pizzone, Aglae, Seaford, Richard, Seaford, Richard, Stavrakopoulou, Anna, Stavrakopoulou, Anna, Stenger, Jan R., Stenger, Jan R., Walker, Alicia, Walker, Alicia, Webb, Ruth, Webb, Ruth, West, Stephanie, West, Stephanie, |
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author_sort |
Alexiou, Margaret, |
title |
Greek Laughter and Tears : Antiquity and After / |
title_sub |
Antiquity and After / |
title_full |
Greek Laughter and Tears : Antiquity and After / Margaret Alexiou, Douglas Cairns. |
title_fullStr |
Greek Laughter and Tears : Antiquity and After / Margaret Alexiou, Douglas Cairns. |
title_full_unstemmed |
Greek Laughter and Tears : Antiquity and After / Margaret Alexiou, Douglas Cairns. |
title_auth |
Greek Laughter and Tears : Antiquity and After / |
title_alt |
Frontmatter -- CONTENTS -- List of Illustrations -- Preface -- Notes on Contributors -- 1 Introduction -- PART I ANCIENT KEYNOTES: FROM HOMER TO LUCIAN -- 2 Laughter and Tears in Early Greek Literature -- 3 Imagining Divine Laughter in Homer and Lucian -- 4 Parody, Symbol and the Literary Past in Lucian -- PART II ANCIENT MODELS, BYZANTINE COLLECTIONS: EPIGRAMS, RIDDLES AND JOKES -- 5 ‘Tantalus Ever in Tears’: The Greek Anthology as a Source of Emotions in Late Antiquity -- 6 ‘Do You Think You’re Clever? Solve This Riddle, Then!’ The Comic Side of Byzantine Enigmatic Poetry -- 7 Philogelos: An Anti-Intellectual Joke-Book -- PART III BYZANTINE PERSPECTIVES: TEARS AND LAUGHTER, THEORY AND PRAXIS -- 8 ‘Messages of the Soul’: Tears, Smiles, Laughter and Emotions Expressed by them in Byzantine Literature -- 9 Towards a Byzantine Theory of the Comic? -- 10 Staging Laughter and Tears: Libanius, Chrysostom and the Riot of the Statues -- 11 Lamenting for the Fall of Jerusalem in the Seventh Century CE -- 12 Guiding Grief: Liturgical Poetry and Ritual Lamentation in Early Byzantium -- PART IV LAUGHTER, POWER AND SUBVERSION -- 13 Mime and the Dangers of Laughter in Late Antiquity -- 14 Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium -- 15 The Power of Amusement and the Amusement of Power: The Princely Frescoes of St Sophia, Kiev, and their Connections to the Byzantine World -- 16 Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium -- PART V GENDER, GENRE AND LANGUAGE: LOSS AND SURVIVAL -- 17 Comforting Tears and Suggestive Smiles: To Laugh and Cry in the Komnenian Novel -- 18 Do Brothers Weep? Male Grief, Mourning, Lament and Tears in Eleventh- and Twelfth-Century Byzantium -- 19 Laments by Nicetas Choniates and Others for the Fall of Constantinople in 1204 -- 20 ‘Words Filled With Tears’: Amorous Discourse as Lamentation in the Palaiologan Romances -- 21 The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature -- 22 Belisarius in the Shadow Theatre: The Private Calvary of a Legendary General -- 23 Afterword -- Appendix CHYROGLES, or The Girl With Two Husbands -- Bibliography -- Index Locorum -- Index Rerum |
title_new |
Greek Laughter and Tears : |
title_sort |
greek laughter and tears : antiquity and after / |
series |
Edinburgh Leventis Studies : ELS |
series2 |
Edinburgh Leventis Studies : ELS |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (504 p.) : 30 B/W illustrations 1 B/W tables |
contents |
Frontmatter -- CONTENTS -- List of Illustrations -- Preface -- Notes on Contributors -- 1 Introduction -- PART I ANCIENT KEYNOTES: FROM HOMER TO LUCIAN -- 2 Laughter and Tears in Early Greek Literature -- 3 Imagining Divine Laughter in Homer and Lucian -- 4 Parody, Symbol and the Literary Past in Lucian -- PART II ANCIENT MODELS, BYZANTINE COLLECTIONS: EPIGRAMS, RIDDLES AND JOKES -- 5 ‘Tantalus Ever in Tears’: The Greek Anthology as a Source of Emotions in Late Antiquity -- 6 ‘Do You Think You’re Clever? Solve This Riddle, Then!’ The Comic Side of Byzantine Enigmatic Poetry -- 7 Philogelos: An Anti-Intellectual Joke-Book -- PART III BYZANTINE PERSPECTIVES: TEARS AND LAUGHTER, THEORY AND PRAXIS -- 8 ‘Messages of the Soul’: Tears, Smiles, Laughter and Emotions Expressed by them in Byzantine Literature -- 9 Towards a Byzantine Theory of the Comic? -- 10 Staging Laughter and Tears: Libanius, Chrysostom and the Riot of the Statues -- 11 Lamenting for the Fall of Jerusalem in the Seventh Century CE -- 12 Guiding Grief: Liturgical Poetry and Ritual Lamentation in Early Byzantium -- PART IV LAUGHTER, POWER AND SUBVERSION -- 13 Mime and the Dangers of Laughter in Late Antiquity -- 14 Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium -- 15 The Power of Amusement and the Amusement of Power: The Princely Frescoes of St Sophia, Kiev, and their Connections to the Byzantine World -- 16 Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium -- PART V GENDER, GENRE AND LANGUAGE: LOSS AND SURVIVAL -- 17 Comforting Tears and Suggestive Smiles: To Laugh and Cry in the Komnenian Novel -- 18 Do Brothers Weep? Male Grief, Mourning, Lament and Tears in Eleventh- and Twelfth-Century Byzantium -- 19 Laments by Nicetas Choniates and Others for the Fall of Constantinople in 1204 -- 20 ‘Words Filled With Tears’: Amorous Discourse as Lamentation in the Palaiologan Romances -- 21 The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature -- 22 Belisarius in the Shadow Theatre: The Private Calvary of a Legendary General -- 23 Afterword -- Appendix CHYROGLES, or The Girl With Two Husbands -- Bibliography -- Index Locorum -- Index Rerum |
isbn |
9781474403801 9783110781403 9781474403795 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PA - Latin and Greek |
callnumber-label |
PA3015 |
callnumber-sort |
PA 43015 E46 G74 42017 |
url |
https://doi.org/10.1515/9781474403801?locatt=mode:legacy https://www.degruyter.com/isbn/9781474403801 https://www.degruyter.com/document/cover/isbn/9781474403801/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
880 - Classical & modern Greek literatures |
dewey-ones |
880 - Hellenic literatures; classical Greek |
dewey-full |
880.9/353 |
dewey-sort |
3880.9 3353 |
dewey-raw |
880.9/353 |
dewey-search |
880.9/353 |
doi_str_mv |
10.1515/9781474403801?locatt=mode:legacy |
oclc_num |
1306541944 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08765nam a22010455i 4500</leader><controlfield tag="001">9781474403801</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222017stk fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2017295690</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474403801</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474403801</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)616354</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1306541944</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PA3015.E46</subfield><subfield code="b">G74 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS002000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">880.9/353</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NH 6880</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Alexiou, Margaret, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Greek Laughter and Tears :</subfield><subfield code="b">Antiquity and After /</subfield><subfield code="c">Margaret Alexiou, Douglas Cairns.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (504 p.) :</subfield><subfield code="b">30 B/W illustrations 1 B/W tables</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Leventis Studies : ELS</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">1 Introduction -- </subfield><subfield code="t">PART I ANCIENT KEYNOTES: FROM HOMER TO LUCIAN -- </subfield><subfield code="t">2 Laughter and Tears in Early Greek Literature -- </subfield><subfield code="t">3 Imagining Divine Laughter in Homer and Lucian -- </subfield><subfield code="t">4 Parody, Symbol and the Literary Past in Lucian -- </subfield><subfield code="t">PART II ANCIENT MODELS, BYZANTINE COLLECTIONS: EPIGRAMS, RIDDLES AND JOKES -- </subfield><subfield code="t">5 ‘Tantalus Ever in Tears’: The Greek Anthology as a Source of Emotions in Late Antiquity -- </subfield><subfield code="t">6 ‘Do You Think You’re Clever? Solve This Riddle, Then!’ The Comic Side of Byzantine Enigmatic Poetry -- </subfield><subfield code="t">7 Philogelos: An Anti-Intellectual Joke-Book -- </subfield><subfield code="t">PART III BYZANTINE PERSPECTIVES: TEARS AND LAUGHTER, THEORY AND PRAXIS -- </subfield><subfield code="t">8 ‘Messages of the Soul’: Tears, Smiles, Laughter and Emotions Expressed by them in Byzantine Literature -- </subfield><subfield code="t">9 Towards a Byzantine Theory of the Comic? -- </subfield><subfield code="t">10 Staging Laughter and Tears: Libanius, Chrysostom and the Riot of the Statues -- </subfield><subfield code="t">11 Lamenting for the Fall of Jerusalem in the Seventh Century CE -- </subfield><subfield code="t">12 Guiding Grief: Liturgical Poetry and Ritual Lamentation in Early Byzantium -- </subfield><subfield code="t">PART IV LAUGHTER, POWER AND SUBVERSION -- </subfield><subfield code="t">13 Mime and the Dangers of Laughter in Late Antiquity -- </subfield><subfield code="t">14 Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium -- </subfield><subfield code="t">15 The Power of Amusement and the Amusement of Power: The Princely Frescoes of St Sophia, Kiev, and their Connections to the Byzantine World -- </subfield><subfield code="t">16 Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium -- </subfield><subfield code="t">PART V GENDER, GENRE AND LANGUAGE: LOSS AND SURVIVAL -- </subfield><subfield code="t">17 Comforting Tears and Suggestive Smiles: To Laugh and Cry in the Komnenian Novel -- </subfield><subfield code="t">18 Do Brothers Weep? Male Grief, Mourning, Lament and Tears in Eleventh- and Twelfth-Century Byzantium -- </subfield><subfield code="t">19 Laments by Nicetas Choniates and Others for the Fall of Constantinople in 1204 -- </subfield><subfield code="t">20 ‘Words Filled With Tears’: Amorous Discourse as Lamentation in the Palaiologan Romances -- </subfield><subfield code="t">21 The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature -- </subfield><subfield code="t">22 Belisarius in the Shadow Theatre: The Private Calvary of a Legendary General -- </subfield><subfield code="t">23 Afterword -- </subfield><subfield code="t">Appendix CHYROGLES, or The Girl With Two Husbands -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index Locorum -- </subfield><subfield code="t">Index Rerum</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Emotions in music.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Greek literature</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Classics & Ancient History.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Ancient / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Agapitos, Panagiotis, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alexiou, Margaret, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Angold, Michael, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ashbrook Harvey, Susan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beaton, Roderick, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beta, Simone, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Boeck, Elena, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cairns, Douglas, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cairns, Douglas, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Halliwell, Stephen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Herrin, Judith, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hinterberger, Martin, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Holton, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield 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