Celluloid Singapore : : Cinema, Performance and the National / / Edna Lim.
Examines how Singapore cinema functions as a national cinemaCelluloid Singapore is a ground-breaking study of the three major periods in Singapore’s fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards. Set against the c...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Traditions in World Cinema : TWC
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| Online Access: | |
| Physical Description: | 1 online resource (216 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Traditions in World Cinema
- 1. Introduction
- 2. Merdeka!: Merger, Separation and a Transnational Golden Age
- 3. Influence, Hybridity and How the Past is a Foreign Country
- 4. Nation-building, a Nun and a Bionic Boy
- 5. Not so Foreign: the Case of Saint Jack
- 6. One People, One Nation, One Singapore
- 7. Revival Cinema: ‘Other’ Singaporeans in (An)other Singapore
- 8. Singapore Cinema in Singapore
- Works Cited
- Index