Cowboy Classics : : The Roots of the American Western in the Epic Tradition / / Kirsten Day.

Compares the ancient epic and the American Western as parallel cultural narrativesCowboy Classics looks at the remarkably intimate connection between Westerns and Greek and Roman epics, each of which focuses on a mythic-historical period from the past where our societal notions of what constitutes h...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2016
Year of Publication:2022
Language:English
Series:Screening Antiquity : SCAN
Online Access:
Physical Description:1 online resource (240 p.) :; 20 B/W illustrations 1 B/W tables
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100 1 |a Day, Kirsten,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Cowboy Classics :  |b The Roots of the American Western in the Epic Tradition /  |c Kirsten Day. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2016 
300 |a 1 online resource (240 p.) :  |b 20 B/W illustrations 1 B/W tables 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Series Editors' Preface --   |t Acknowledgments --   |t Illustrations --   |t Prologue --   |t Introduction: Western Film and the Epic Tradition --   |t 1 Howard Hawks's Red River --   |t 2 Fred Zinnemann's High Noon --   |t 3 George Stevens's Shane --   |t 4 John Ford's The Searchers --   |t 5 John Ford's The Man Who Shot Liberty Valance --   |t Conclusion --   |t Bibliography --   |t Filmography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Compares the ancient epic and the American Western as parallel cultural narrativesCowboy Classics looks at the remarkably intimate connection between Westerns and Greek and Roman epics, each of which focuses on a mythic-historical period from the past where our societal notions of what constitutes heroism, masculinity and honour were first forged. Through her insightful analysis of Red River, High Noon, Shane, The Searchers and The Man Who Shot Liberty Valance, Kirsten Day illustrates the parallels between these seemingly disparate yet closely related genres, allowing us to see each through a new lens while gaining insight into the persistence of these concepts in our world today.Key Features Discusses the recent scholarly interest in classical representations in popular culture Looks at how both Greco-Roman epic and Western film in general help to define foundational ideologies for their respective culturesIncludes case studies of four films - Howard Hawks' Red River (1948), Fred Zinnemann's High Noon (1952), George Stevens' Shane (1953), and John Ford's The Searchers (1956) - which analyze specific affinities with the Homeric epics and Virgil's AeneidExamines John Ford's The Man Who Shot Liberty Valance (1962) as an Oedipal drama, in relation to Greek and Roman epic 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Cowboys in popular culture  |z United States. 
650 0 |a Cowboys in popular culture; United States. 
650 0 |a Epic poetry, Greek  |x History and criticism. 
650 0 |a Epic poetry, Greek. 
650 0 |a Heroes. 
650 0 |a Western films  |z United States  |x History and criticism. 
650 0 |a Western films; United States; History and criticism. 
650 4 |a Classics & Ancient History. 
650 7 |a HISTORY / Ancient / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2016  |z 9783110780444 
776 0 |c print  |z 9781474402460 
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