The Edinburgh Companion to the First World War and the Arts / / Ann-Marie Einhaus, Katherine Isobel Baxter.

A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the war’s upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems t...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
Series:Edinburgh Companions to Literature and the Humanities
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Physical Description:1 online resource (480 p.) :; 36 B/W illustrations 16 colour illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • LIST OF ILLUSTRATIONS
  • Acknowledgements
  • Introduction
  • I. Literature
  • 1 The Uncertain War a Century on: The First World War in British and Irish Fiction
  • 2 Poetry of the First World War in Britain
  • 3 First World War Short Fiction
  • 4 Theatre: 1914 and After
  • 5 Words from Home: Wartime Correspondences
  • 6 Transnational Lives: Colonial Life Writing and the First World War
  • II. Visual Arts
  • 7 The ‘abysmal inexcusable middle class’, Painting, Commemoration and the First World War
  • 8 ‘Varied to Infinity’: The First World War and Sculpture
  • 9 Memorials: Embodiment and Unconventional Mourning
  • 10 Posters, Advertising and the First World War in Britain
  • III. Music
  • 11 ‘We think you ought to go’: Music Hall and Recruitment in the First World War
  • 12 British Soldiers’ Songs
  • 13 The First World War in Popular Music since 1958
  • 14 Requiems and Memorial Music
  • IV. Periodicals and Journalism
  • 15 Popular Periodicals: Wartime Newspapers, Magazines and Journals
  • 16 Evolving Wartime Print Cultures of the Anglo-American Modern Literary Renaissance
  • 17 Pamphlets and Political Writing
  • 18 ‘The whole of war is an atrocity’: Morgan Philips Price and First World War Reporting in the Ottoman/Russian Borderlands
  • V. Film and Broadcasting
  • 19 Official War Films in Britain: THE BATTLE OF THE SOMME (1916), its Impact Then and its Meaning Today
  • 20 Too Colossal to Be Dramatic: The Cinema of the Great War
  • 21 Representations of the First World War in Contemporary British Television Drama
  • 22 The Sound of War: Audio, Radio and the First World War
  • VI. Publishing and Material Culture
  • 23 The British Publishing Industry and the First World War
  • 24 Photography and the First World War
  • 25 The Imperial War Museum and the Material Culture of the First World War, 1917–2014
  • 26 The Evolution of First World War Computer Games
  • CONTRIBUTORS
  • Index