The Cyclops Myth and the Making of Selfhood / / Paul Robertson.

• Superior document: Title is part of eBook package: De Gruyter DG Plus PP Package 2022 Part 2
• VerfasserIn: Robertson, Paul,
• Place / Publishing House: Piscataway, NJ : : Gorgias Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Perspectives on Philosophy and Religious Thought ; 19
• Physical Description: 1 online resource (285 p.)
• Other title: Frontmatter --; TABLE OF CONTENTS --; Acknowledgments --; List of Illustrations --; Preface --; Introduction. Selfhood and the Cyclops Myth --; Chapter One. The Archaic Period: Homer and Hesiod --; Chapter Two. The Classical Era: Euripides’ Cyclops --; Chapter Three. The Hellenistic Age: Theocritus --; Chapter Four. The Roman Empire: Virgil and Ovid --; Chapter Five. The Post-Classical World and the Middle Ages --; Chapter Six. Modernity: Graphic Novels, Comics, Film, Young Adult Novels --; Art History Excursus 2: The Post-Medieval Cyclops, a Selective Summary --; Conclusion --; Bibliography --; Indices
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781463243494; 9783110767001; 9783110993899; 9783110994810; 9783110992915; 9783110992878; 9783110767100
• DOI: 10.31826/9781463243494
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Paul Robertson.

This book explores the myth of the Cyclops across western history, and how its changing form from ancient Greece until the modern day reveals fundamental changes in each era’s elite understandings and depictions of cultural values. From Homer’s Odyssey to Hellenistic poetry, from Roman epic to early medieval manuscript glosses, and from early modern opera to current pop culture, the myth of the Cyclops persists in changing forms. This myth’s distinct forms in each historical era reflect and distill wider changes occurring in the spheres of politics, philosophy, aesthetics, and social values, and as a story that persists continually across three millennia it provides a unique lens for cross-historical comparison across western thought. The story of the Cyclops myth across western history is particularly reflective of changing selfhood, namely the ways that at least certain authors in each historical-cultural period understand how identity is constructed. This study particularly responds to the work of the philosopher and classicist Christopher Gill, who has influentially argued for a clear binary in notions of selfhood between the ancient and modern worlds. I build on Gill and others, but also depart from them, arguing that a comparative analysis of the Cyclops myth illustrates not a binary but rather a series of incremental, clearly defined, but non-linear shifts in selfhood from the ancient to the modern world. In doing so, my project also provides a comprehensive story of the re-tellings of the Cyclops myth over time, showing how these re-tellings not only reflect changing cultural values and understandings, but also distill and even influence them.