Iconea 2009-2010 : : Proceedings of the International Conference of Near Eastern Archaeomusicology. Université de la Sorbonne Paris IV November 25, 26 and 27, 2009 and at the University of London, Senate House December 13, 14 and 15, 2010 / / ed. by Irving Finkel, Richard Dumbrill.
ICONEA is the only publication exclusively dedicated to the archaeomusicology of Near and Middle Eastern cultures from its Sumerian origins to the dawn of Christianity. ICONEA also publishes papers of comparative archaeomusicology with contemporaneous neighbouring cultures.
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Gorgias Press Backlist eBook-Package 2001-2013 |
|---|---|
| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Piscataway, NJ : : Gorgias Press, , [2019] ©2010 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Iconea ;
1 |
| Online Access: | |
| Physical Description: | 1 online resource (183 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Foreword
- Table of Contents
- EGYPTIAN FRACTIONS AND THE ANCIENT SCIENCE OF HARMONICS
- HAND POSITION OF MUSICIANS BEFORE AND AFTER THE HYKSOS KINGS
- SUMMON THE GODS AND THE PEOPLE TO THE SOUND OF THE CONCH
- SINGERS, MUSICIANS AND THEIR MOBILITY IN UR III PERIOD CUNEIFORM TEXTS
- ON THE MANIPULATION OF THE PLANETS BY THE LYRE PLAYER IN A ‘WINE SONG’ BY KHAMIS BAR QARDAĢE
- DRUMS IN THE LATE XVIIIth DYNASTIES OF EGYPT
- MUSIC IN THE SYRIAN CITY OF EBLA IN THE LATE THIRD MILLENNIUM B.C.
- PYTHAGORAS, THE ORIGINS OF MUSICAL MODI AND THE DACTYLS
- EGYPTIAN CONNECTIONS: NARMER INSCRIPTIONS AS SUMERIAN MUSICOLOGY
- MUSIC THEORISM IN THE ANCIENT WORLD
- THE EPISTEMOLOGICAL FRAMEWORK OF MUSICOLOGY
- DANCE IN IRON AGE ISRAEL/PALESTINE 1200 - 600 B.C. ARCHAEOLOGICAL SOURCES AND GLYPTIC ART
- RECONSTRUCTING THE VOICE OF KING DAVID’S HARPS