Stewards of the Nation's Art : : Contested Cultural Authority 1890-1939 / / Andrea Geddes Poole.
Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines th...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2009 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (368 p.) |
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001 | 9781442698703 | ||
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100 | 1 | |a Geddes Poole, Andrea, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Stewards of the Nation's Art : |b Contested Cultural Authority 1890-1939 / |c Andrea Geddes Poole. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2016] | |
264 | 4 | |c ©2009 | |
300 | |a 1 online resource (368 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Abbreviations -- |t Acknowledgments -- |t Introduction -- |t 1. Four Boards -- |t 2. Edwardian Philanthropy to the Arts -- |t 3. The Rosebery Minute -- |t 4. Boards and Directors, 1890-1916 -- |t 5. The Duchess of Milan -- |t 6. Lord Curzon's Committee -- |t 7. Acrimony and Accord, 1918-1939 -- |t 8. Philanthropy between the Wars -- |t Conclusion -- |t Appendix: Boards of Trustees -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a Aristocracy (Social class) |z Great Britain |x History |y 19th century. | |
650 | 0 | |a Aristocracy (Social class) |z Great Britain |x History |y 20th century. | |
650 | 0 | |a Art and state |z Great Britain |x History |y 19th century. | |
650 | 0 | |a Art and state |z Great Britain |x History |y 20th century. | |
650 | 7 | |a ART / African. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Toronto Press eBook-Package Backlist 2000-2013 |z 9783110490954 |
776 | 0 | |c print |z 9780802099600 | |
856 | 4 | 0 | |u https://doi.org/10.3138/9781442698703 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781442698703 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9781442698703.jpg |
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