Pride in Modesty : : Modernist Architecture and the Vernacular Tradition in Italy / / Michelangelo Sabatino.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
• VerfasserIn: Sabatino, Michelangelo,
• MitwirkendeR: Forster, Kurt W.,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2022]; ©2010
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (336 p.)
• Other title: Frontmatter --; Contents --; List of Figures --; Foreword: The Extraordinary Role of Ordinary Things --; Ringraziamenti/Acknowledgments --; Introduction --; 1 In Search of Italianità: Ethnography and National Identity --; 2 The Picturesque Revival: Rusticity and Contextualism --; 3 Tabula rasa and Tradition: Futurism and Rationalism between Primitivism and Mediterraneità --; 4 Engineering versus Architecture: The Vernacular between New Objectivity and Lyricism --; 5 Continuity and Reality: The Vernacular Resumed in Postwar Architecture and Urbanism --; Epilogue --; Notes --; Selected Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442698468; 9783110490954
• DOI: 10.3138/9781442698468
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Michelangelo Sabatino.

Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s.Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.