The Great Black Spider on Its Knock-Kneed Tripod : : Reflections of Cinema in Early Twentieth-Century Italy / / Michael Syrimis.
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on t...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2012 |
Year of Publication: | 2017 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (376 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Illustrations
- Abbreviations
- Introduction. Reflections of Cinema and Technology in Marinetti, D'Annunzio, and Pirandello
- 1. Film Aesthetics of a 'Heroic' Futurism
- 2. An Aesthetics of War: The (Un)Problematic Screening of Vita futurista
- 3. Velocità: Between Avant-Garde and Narrativity
- 4. Forse che sì forse che no: Technological Inflections of a Decadent Text
- 5. Through a 'Futuristic' Lens: D'Annunzio's Cinematic Re-Visions
- 6. The Humoristic Image in Pirandello's Si gira ...
- 7. Cinema as Humour: The Oltre and the Superfluo
- Conclusion
- Notes
- Bibliography
- Index