Middleton & Rowley : : Forms of Collaboration in the Jacobean Playhouse / / David Nicol.
Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.This first full-length...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2012 |
Year of Publication: | 2018 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (232 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442696747 |
---|---|
ctrlnum |
(DE-B1597)496908 (OCoLC)1078907747 |
collection |
bib_alma |
record_format |
marc |
spelling |
Nicol, David, author. aut http://id.loc.gov/vocabulary/relators/aut Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / David Nicol. Toronto : University of Toronto Press, [2018] ©2012 1 online resource (232 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Note on the Citation of Dramatic Texts -- 1. Middleton and Rowley: Writing about Collaborative Drama -- 2. Collaborators and Individual Style: Choice and Religion in The Changeling -- 3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Personae -- 4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel -- 5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy and The Old Law -- Appendix: A Middleton-Rowley Chronology -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Authorship Collaboration History 17th century. English drama 17th century History and criticism. PERFORMING ARTS / Theater / History & Criticism. bisacsh print 9781487522650 https://doi.org/10.3138/9781442696747 https://www.degruyter.com/isbn/9781442696747 Cover https://www.degruyter.com/cover/covers/9781442696747.jpg |
language |
English |
format |
eBook |
author |
Nicol, David, Nicol, David, |
spellingShingle |
Nicol, David, Nicol, David, Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / Frontmatter -- Contents -- Acknowledgments -- Note on the Citation of Dramatic Texts -- 1. Middleton and Rowley: Writing about Collaborative Drama -- 2. Collaborators and Individual Style: Choice and Religion in The Changeling -- 3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Personae -- 4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel -- 5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy and The Old Law -- Appendix: A Middleton-Rowley Chronology -- Notes -- Bibliography -- Index |
author_facet |
Nicol, David, Nicol, David, |
author_variant |
d n dn d n dn |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Nicol, David, |
title |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / |
title_sub |
Forms of Collaboration in the Jacobean Playhouse / |
title_full |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / David Nicol. |
title_fullStr |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / David Nicol. |
title_full_unstemmed |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / David Nicol. |
title_auth |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Note on the Citation of Dramatic Texts -- 1. Middleton and Rowley: Writing about Collaborative Drama -- 2. Collaborators and Individual Style: Choice and Religion in The Changeling -- 3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Personae -- 4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel -- 5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy and The Old Law -- Appendix: A Middleton-Rowley Chronology -- Notes -- Bibliography -- Index |
title_new |
Middleton & Rowley : |
title_sort |
middleton & rowley : forms of collaboration in the jacobean playhouse / |
publisher |
University of Toronto Press, |
publishDate |
2018 |
physical |
1 online resource (232 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Note on the Citation of Dramatic Texts -- 1. Middleton and Rowley: Writing about Collaborative Drama -- 2. Collaborators and Individual Style: Choice and Religion in The Changeling -- 3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Personae -- 4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel -- 5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy and The Old Law -- Appendix: A Middleton-Rowley Chronology -- Notes -- Bibliography -- Index |
isbn |
9781442696747 9781487522650 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR2717 |
callnumber-sort |
PR 42717 N536 42012 |
era_facet |
17th century. 17th century |
url |
https://doi.org/10.3138/9781442696747 https://www.degruyter.com/isbn/9781442696747 https://www.degruyter.com/cover/covers/9781442696747.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822/.309 |
dewey-sort |
3822 3309 |
dewey-raw |
822/.309 |
dewey-search |
822/.309 |
doi_str_mv |
10.3138/9781442696747 |
oclc_num |
1078907747 |
work_keys_str_mv |
AT nicoldavid middletonrowleyformsofcollaborationinthejacobeanplayhouse |
status_str |
n |
ids_txt_mv |
(DE-B1597)496908 (OCoLC)1078907747 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Middleton & Rowley : Forms of Collaboration in the Jacobean Playhouse / |
_version_ |
1806143712887046144 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03717nam a22006855i 4500</leader><controlfield tag="001">9781442696747</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210824034702.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210824t20182012onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442696747</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442696747</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)496908</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1078907747</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR2717</subfield><subfield code="b">.N536 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER011020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">822/.309</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nicol, David, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Middleton & Rowley :</subfield><subfield code="b">Forms of Collaboration in the Jacobean Playhouse /</subfield><subfield code="c">David Nicol.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (232 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Note on the Citation of Dramatic Texts -- </subfield><subfield code="t">1. Middleton and Rowley: Writing about Collaborative Drama -- </subfield><subfield code="t">2. Collaborators and Individual Style: Choice and Religion in The Changeling -- </subfield><subfield code="t">3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Personae -- </subfield><subfield code="t">4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel -- </subfield><subfield code="t">5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy and The Old Law -- </subfield><subfield code="t">Appendix: A Middleton-Rowley Chronology -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Authorship</subfield><subfield code="x">Collaboration</subfield><subfield code="x">History</subfield><subfield code="y">17th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English drama</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781487522650</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442696747</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442696747</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442696747.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |