Kissing the Wild Woman : : Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em› / / Christopher Nissen.
Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in...
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Superior document: | Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2011 |
Year of Publication: | 2017 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
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001 | 9781442696020 | ||
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035 | |a (OCoLC)1032693074 | ||
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100 | 1 | |a Nissen, Christopher, |e author. | |
245 | 1 | 0 | |a Kissing the Wild Woman : |b Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em› / |c Christopher Nissen. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2017] | |
264 | 4 | |c ©2011 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t 1. The Reformation of the Prose Romance -- |t 2. Writing a Portrait -- |t 3. Ekphrasis and the Paragone -- |t 4. The Sight of the Beautiful -- |t 5. Kissing the Wild Woman -- |t Conclusion -- |t Appendix -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) | |
650 | 0 | |a Aesthetics in literature. | |
650 | 0 | |a Beauty, Personal, in literature. | |
650 | 0 | |a Painting in literature. | |
650 | 4 | |a DISCOUNT-B. | |
650 | 7 | |a LITERARY CRITICISM / European / Italian. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t UTP eBook-Package Backlist 2000-2015 |z 9783110667691 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Toronto Press eBook Package Backlist 2000-2013 |z 9783110490954 |
776 | 0 | |c print |z 9781442643406 | |
856 | 4 | 0 | |u https://doi.org/10.3138/9781442696020 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9781442696020.jpg |
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