Dire Straits : : The Perils of Writing the Early Modern English Coastline from Leland to Milton / / Elizabeth Jane Bellamy.

England became a centrally important maritime power in the early modern period, and its writers - acutely aware of their inhabiting an island - often depicted the coastline as a major topic of their works. However, early modern English versifiers had to reconcile this reality with the classical trad...

Full description

Saved in:
Bibliographic Details
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2017]
©2012
Year of Publication:2017
Language:English
Online Access:
Physical Description:1 online resource (216 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9781442694248
ctrlnum (DE-B1597)483184
(OCoLC)1004868245
collection bib_alma
record_format marc
spelling Bellamy, Elizabeth Jane, author. aut http://id.loc.gov/vocabulary/relators/aut
Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton / Elizabeth Jane Bellamy.
Toronto : University of Toronto Press, [2017]
©2012
1 online resource (216 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgments -- Chapter One. The Imperatives of Humanism: Early Modern English Shorelines under Quarantine -- Chapter Two. Lurid Shorelines: Mapping Spenser's Queen Elizabeth in Ariosto's Hebrides -- Chapter Three. Ever-Receding Shorelines: Antiquarian Poetry and Prose and the Limits of Shakespeare's Coastal Dramatic Verse -- Chapter Four. Exiled Shorelines: Early Milton and the Rejection of the Mare Ovidianum -- Chapter Five. Coda: Exiting the Shadow of Ultima Britannia in Paradise Lost -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
England became a centrally important maritime power in the early modern period, and its writers - acutely aware of their inhabiting an island - often depicted the coastline as a major topic of their works. However, early modern English versifiers had to reconcile this reality with the classical tradition, in which the British Isles were seen as culturally remote compared to the centrally important Mediterranean of antiquity. This was a struggle for writers not only because they used the classical tradition to legitimate their authority, but also because this image dominated cognitive maps of the oceanic world.As the first study of coastlines and early modern English literature, Dire Straits investigates the tensions of the classical tradition's isolation of the British Isles from the domain of poetry. By illustrating how early modern English writers created their works in the context of a longstanding cultural inheritance from antiquity, Elizabeth Jane Bellamy offers a new approach to the history of early modern cartography and its influences on literature.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
Cartography in literature.
Coasts in literature.
English poetry Early modern, 1500-1700 History and criticism.
Landscapes in literature.
DISCOUNT-B.
LITERARY CRITICISM / Medieval. bisacsh
print 9781442645011
https://doi.org/10.3138/9781442694248
https://www.degruyter.com/isbn/9781442694248
Cover https://www.degruyter.com/cover/covers/9781442694248.jpg
language English
format eBook
author Bellamy, Elizabeth Jane,
Bellamy, Elizabeth Jane,
spellingShingle Bellamy, Elizabeth Jane,
Bellamy, Elizabeth Jane,
Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton /
Frontmatter --
Contents --
Acknowledgments --
Chapter One. The Imperatives of Humanism: Early Modern English Shorelines under Quarantine --
Chapter Two. Lurid Shorelines: Mapping Spenser's Queen Elizabeth in Ariosto's Hebrides --
Chapter Three. Ever-Receding Shorelines: Antiquarian Poetry and Prose and the Limits of Shakespeare's Coastal Dramatic Verse --
Chapter Four. Exiled Shorelines: Early Milton and the Rejection of the Mare Ovidianum --
Chapter Five. Coda: Exiting the Shadow of Ultima Britannia in Paradise Lost --
Bibliography --
Index
author_facet Bellamy, Elizabeth Jane,
Bellamy, Elizabeth Jane,
author_variant e j b ej ejb
e j b ej ejb
author_role VerfasserIn
VerfasserIn
author_sort Bellamy, Elizabeth Jane,
title Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton /
title_sub The Perils of Writing the Early Modern English Coastline from Leland to Milton /
title_full Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton / Elizabeth Jane Bellamy.
title_fullStr Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton / Elizabeth Jane Bellamy.
title_full_unstemmed Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton / Elizabeth Jane Bellamy.
title_auth Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton /
title_alt Frontmatter --
Contents --
Acknowledgments --
Chapter One. The Imperatives of Humanism: Early Modern English Shorelines under Quarantine --
Chapter Two. Lurid Shorelines: Mapping Spenser's Queen Elizabeth in Ariosto's Hebrides --
Chapter Three. Ever-Receding Shorelines: Antiquarian Poetry and Prose and the Limits of Shakespeare's Coastal Dramatic Verse --
Chapter Four. Exiled Shorelines: Early Milton and the Rejection of the Mare Ovidianum --
Chapter Five. Coda: Exiting the Shadow of Ultima Britannia in Paradise Lost --
Bibliography --
Index
title_new Dire Straits :
title_sort dire straits : the perils of writing the early modern english coastline from leland to milton /
publisher University of Toronto Press,
publishDate 2017
physical 1 online resource (216 p.)
Issued also in print.
contents Frontmatter --
Contents --
Acknowledgments --
Chapter One. The Imperatives of Humanism: Early Modern English Shorelines under Quarantine --
Chapter Two. Lurid Shorelines: Mapping Spenser's Queen Elizabeth in Ariosto's Hebrides --
Chapter Three. Ever-Receding Shorelines: Antiquarian Poetry and Prose and the Limits of Shakespeare's Coastal Dramatic Verse --
Chapter Four. Exiled Shorelines: Early Milton and the Rejection of the Mare Ovidianum --
Chapter Five. Coda: Exiting the Shadow of Ultima Britannia in Paradise Lost --
Bibliography --
Index
isbn 9781442694248
9781442645011
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR545
callnumber-sort PR 3545 C673 B44 42013EB
era_facet Early modern, 1500-1700
url https://doi.org/10.3138/9781442694248
https://www.degruyter.com/isbn/9781442694248
https://www.degruyter.com/cover/covers/9781442694248.jpg
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 821 - English poetry
dewey-full 821/.30932146
dewey-sort 3821 830932146
dewey-raw 821/.30932146
dewey-search 821/.30932146
doi_str_mv 10.3138/9781442694248
oclc_num 1004868245
work_keys_str_mv AT bellamyelizabethjane direstraitstheperilsofwritingtheearlymodernenglishcoastlinefromlelandtomilton
status_str n
ids_txt_mv (DE-B1597)483184
(OCoLC)1004868245
carrierType_str_mv cr
is_hierarchy_title Dire Straits : The Perils of Writing the Early Modern English Coastline from Leland to Milton /
_version_ 1770176833739816960
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04025nam a22006975i 4500</leader><controlfield tag="001">9781442694248</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210824034702.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210824t20172012onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442694248</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442694248</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)483184</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1004868245</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR545.C673</subfield><subfield code="b">B44 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT011000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">821/.30932146</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bellamy, Elizabeth Jane, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dire Straits :</subfield><subfield code="b">The Perils of Writing the Early Modern English Coastline from Leland to Milton /</subfield><subfield code="c">Elizabeth Jane Bellamy.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (216 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Chapter One. The Imperatives of Humanism: Early Modern English Shorelines under Quarantine -- </subfield><subfield code="t">Chapter Two. Lurid Shorelines: Mapping Spenser's Queen Elizabeth in Ariosto's Hebrides -- </subfield><subfield code="t">Chapter Three. Ever-Receding Shorelines: Antiquarian Poetry and Prose and the Limits of Shakespeare's Coastal Dramatic Verse -- </subfield><subfield code="t">Chapter Four. Exiled Shorelines: Early Milton and the Rejection of the Mare Ovidianum -- </subfield><subfield code="t">Chapter Five. Coda: Exiting the Shadow of Ultima Britannia in Paradise Lost -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">England became a centrally important maritime power in the early modern period, and its writers - acutely aware of their inhabiting an island - often depicted the coastline as a major topic of their works. However, early modern English versifiers had to reconcile this reality with the classical tradition, in which the British Isles were seen as culturally remote compared to the centrally important Mediterranean of antiquity. This was a struggle for writers not only because they used the classical tradition to legitimate their authority, but also because this image dominated cognitive maps of the oceanic world.As the first study of coastlines and early modern English literature, Dire Straits investigates the tensions of the classical tradition's isolation of the British Isles from the domain of poetry. By illustrating how early modern English writers created their works in the context of a longstanding cultural inheritance from antiquity, Elizabeth Jane Bellamy offers a new approach to the history of early modern cartography and its influences on literature.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Cartography in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Coasts in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English poetry</subfield><subfield code="y">Early modern, 1500-1700</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Landscapes in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DISCOUNT-B.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Medieval.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781442645011</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442694248</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442694248</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442694248.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>