Women, Popular Culture, and the Eighteenth Century / / ed. by Tiffany Potter.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
• MitwirkendeR: Backscheider, Paula,; Bowden, Martha F.,; Chadwick, Mary,; Chalus, Elaine,; Erwin, Timothy,; Grogan, Claire,; Grundy, Isobel,; Joncus, Berta,; Luhning, Holly,; Macdonald, Andrew,; Macdonald, Gina,; Merrett, Robert James,; Munns, Jessica,; Potter, Tiffany,; Sabor, Peter,; Wagner, Tamara S.,; Wallace, Elizabeth Kowaleski,
• HerausgeberIn: Potter, Tiffany,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2019]; ©2012
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (344 p.) :; 17 illustrations

In contemporary pop culture, the pursuits regarded as the most frivolous are typically understood to be more feminine in nature than masculine. This collection illustrates how ideas of the popular and the feminine were assumed to be equally naturally intertwined in the eighteenth century, and the ways in which that association facilitates the ongoing trivialization of both.Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture. They also assess how eighteenth-century women have been re-imagined in contemporary historical fiction, films, and television, from the works of award-winner Beryl Bainbridge to Darcymania and Pride and Prejudice and Zombies. By reconsidering the cultural and social practices of eighteenth-century women, this fascinating volume reclaims the ostensibly trivial as a substantive cultural contribution.

Table of Contents

Frontmatter -- Contents -- Illustrations -- Editor's Preface -- Part I: Performance, Fashion, and the Politics of the Popular -- 1. Historicizing the Popular and the Feminine: The Rape of the Lock and Pride and Prejudice and Zombies -- 2. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive, and the Genesis of Ballad Opera -- 3. Politics and Gender in a Tale of Two Plays -- 4. Celebrity Status: The Eighteenth- Century Actress as Fashion Icon -- 5. Fanning the Flames: Women, Fashion, and Politics -- PART II: Women, Reading, and Writing -- 6. The Culinary Art of Eighteenth-Century Women Cookbook Authors -- 7. Women and Letters -- 8. Writing Bodies in Popular Culture: Eliza Haywood and Love in Excess -- 9. Women Reading and Writing for The Rambler -- 10. 'The Most Dangerous Talent': Riddles as Feminine Pastime -- 11. Comic Prints, the Picturesque, and Fashion: Seeing and Being Seen in Jane Austen's Northanger Abbey -- PART III: Eighteenth-Century Women in Modern Popular Culture -- 12. Mother and Daughter in Beryl Bainbridge's According to Queeney -- 13. The Agency of Things in Emma Donoghue's Slammerkin -- 14. 'Would you have us laughed out of Bath?': Shopping Around for Fashion and Fashionable Fiction in Jane Austen Adaptations -- 15. Visualizing Empire in Domestic Settings: Designing Persuasion for the Screen -- 16. From Pride and Prejudice to Lost in Austen and Back Again: Reading Television Reading Novels -- Contributors -- Index