Miracles and Sacrilege : : Robert Rossellini, the Church, and Film Censorship in Hollywood / / William Bruce Johnson.

Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Co...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2008
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (448 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04827nam a22007335i 4500
001 9781442688636
003 DE-B1597
005 20210830012106.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210830t20162008onc fo d z eng d
019 |a (OCoLC)1013946379 
020 |a 9781442688636 
024 7 |a 10.3138/9781442688636  |2 doi 
035 |a (DE-B1597)465340 
035 |a (OCoLC)944176660 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a onc  |c CA-ON 
050 4 |a BX1407.M68  |b J64 2007eb 
072 7 |a PER004030  |2 bisacsh 
082 0 4 |a 342.7308/53 
100 1 |a Johnson, William Bruce ,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Miracles and Sacrilege :  |b Robert Rossellini, the Church, and Film Censorship in Hollywood /  |c William Bruce Johnson. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2016] 
264 4 |c ©2008 
300 |a 1 online resource (448 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1. 'A Business Pure and Simple' --   |t 2. The Church, 'Modernism,' and 'Americanism' --   |t 3. A Church of Immigrants --   |t 4. A New Catholic-American Culture --   |t 5. Protestantism Balkanized --   |t 6. Reining In Hollywood --   |t 7. The Production Code --   |t 8. The Legion of Decency --   |t 9. The Breen Office --   |t 10. The Paramount Case --   |t 11. Cocktails and Communism --   |t 12. New Realities --   |t 13. Visions of Mary --   |t 14. Mary or Communism --   |t 15. The Priest as Public Figure --   |t 16. 'Woman Further Defamed' --   |t 17. 'A Sense of Decency and Good Morals' --   |t 18. 'The Law Knows No Heresy' --   |t 19. In the Supreme Court --   |t 20. Candour and Shame --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Freedom of speech  |z United States  |x History  |y 20th century. 
650 0 |a Motion pictures  |x Censorship  |z United States  |x History. 
650 0 |a Motion pictures  |x Religious aspects  |x Catholic Church. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Toronto Press eBook-Package Backlist 2000-2013  |z 9783110490954 
776 0 |c print  |z 9780802094933 
856 4 0 |u https://doi.org/10.3138/9781442688636 
856 4 0 |u https://www.degruyter.com/isbn/9781442688636 
856 4 2 |3 Cover  |u https://www.degruyter.com/cover/covers/9781442688636.jpg 
912 |a 978-3-11-049095-4 University of Toronto Press eBook-Package Backlist 2000-2013  |c 2000  |d 2013 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a EBA_STMALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA12STME 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK