The Imperfect Friend : : Emotion and Rhetoric in Sidney, Milton and Their Conexts / / Wendy Olmsted.

Many writers in early modern England drew on the rhetorical tradition to explore affective experience. In The Imperfect Friend, Wendy Olmsted examines a broad range of Renaissance and Reformation sources, all of which aim to cultivate 'emotional intelligence' through rhetorical means, with...

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Superior document:Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2008
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource
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Other title:Frontmatter --
Contents --
Acknowledgments --
Notes on Transcriptions --
1. Counselling the Unstable Self: Conflicting Emotional Frameworks, Persuasion, and Inwardness --
2. Unyielding Judge or Gentle Physician? The Friend as Counsellor in Guazzo's The Civile Conversation and Sidney's Old Arcadia --
3. Poetry as Orator and Physician in Sidney's Defence --
4. The Politics of Emotion in Hospitality, Rivalry, and Erotic Love: Sidney's New Arcadia --
5. Anger as an Instrument of Justice: The Vehement versus the Mild Style in Milton's Early Prose --
6. Emotion as Defined by the Discourse of Honour: Spiritual Warfare and Rhetorical Agon in Paradise Lost --
7. Seventeenth-Century Protestant Rhetoric: Cause and Cure of Fallen Emotion --
8. Marriage as a Site of Counsel in Marriage Handbooks, Milton's Divorce Pamphlets, and Paradise Lost --
Conclusion --
Notes --
Index
Summary:Many writers in early modern England drew on the rhetorical tradition to explore affective experience. In The Imperfect Friend, Wendy Olmsted examines a broad range of Renaissance and Reformation sources, all of which aim to cultivate 'emotional intelligence' through rhetorical means, with a view to understanding how emotion functions in these texts. In the works of Sir Philip Sidney (1554-1586), John Milton (1608-1674), and many others, characters are depicted conversing with one another about their emotions. While counselors appeal to objective reasons for feeling a certain way, their efforts to shape emotion often encounter resistance.This volume demonstrates how, in Renaissance and Reformation literature, failures of persuasion arise from conflicts among competing rhetorical frameworks among characters. Multiple frameworks, Olmsted argues, produce tensions and, consequently, an interiorized conflicted self. By situating emotional discourse within distinct historical and socio-cultural perspectives, The Imperfect Friend sheds new light on how the writings of Sidney, Milton, and others grappled with problems of personal identity. From their innovations, the study concludes, friendship emerges as a favourite site of counseling the afflicted and perturbed.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781442688315
9783110667691
9783110490954
DOI:10.3138/9781442688315
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Wendy Olmsted.