Raffaello Borghini's Il Riposo / / Raffaello Borghini.

Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillat...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2008
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (384 p.)
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100 1 |a Borghini, Raffaello,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Raffaello Borghini's Il Riposo /  |c Raffaello Borghini. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2016] 
264 4 |c ©2008 
300 |a 1 online resource (384 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Translator's Preface --   |t Acknowledgments --   |t Introduction --   |t Personae --   |t Il Riposo --   |t Dedicatory Poem --   |t Book One --   |t Book Two --   |t Book Three --   |t Book Four --   |t Appendix: The Artists Described by Borghini --   |t Notes --   |t Selected Bibliography --   |t Index 
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520 |a Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. Picking up where Vasari left off, Borghini deals with artists who came after Michaelangelo and provides more comprehensive descriptions of artists who Vasari only touched upon such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. This text is also invaluable as a description of the mid-sixteenth century reaction against the style of the 'maniera,' which stressed the representation of self-consciously convoluted figures in complicated works of art.The first art treatise specifically directed toward non-practitioners, Il Riposo gives unique insight into the early stages of art history as a discipline, late Renaissance art and theory, and the Counter-Reformation in Italy. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Painters  |z Italy. 
650 0 |a Painting  |v Early works to 1800. 
650 0 |a Sculptors  |z Italy. 
650 0 |a Sculpture  |v Early works to 1800. 
650 7 |a ART / History / Renaissance.  |2 bisacsh 
700 1 |a Ellis Jr., Lloyd. 
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776 0 |c print  |z 9780802097439 
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