Editing the Image : : Strategies in the Production and Reception of the Visual /

Editing the Image : : Strategies in the Production and Reception of the Visual / / ed. by Mark Cheetham, Elizabeth Legge, Catherine M. Soussloff.

The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
MitwirkendeR:
Carrier, David,
Cheetham, Mark A.,
Greenberg, Reesa,
Greyson, John,
Hutcheon, Linda,
Legge, Elizabeth,
Manning, Sturt W.,
McTavish, Lianne,
O'Brian, John,
Olson, Todd P.,
Onians, John,
Soussloff, Catherine M.,
Steele, Lisa,
Tomczak, Kim,
Unwalla, Fred R.,
HerausgeberIn:
Cheetham, Mark,
Legge, Elizabeth ,
Soussloff, Catherine M.,
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2008
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (240 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Notes on Contributors
  • Acknowledgments
  • Illustrations
  • Introduction
  • Editing Identity
  • 1. Mr Blank Gets Concretized
  • 2. Striking Through the Artist's Body: Ekphrasis in Bellori's Life of Caravaggio
  • Editing the Body of History
  • 3. An Edited Past: Aegean Prehistory and Its Texts
  • 4. The Trouble with Painting, the Image (less) Text
  • Spectacular Editing
  • 5. Concealing Spectacles: Childbirth and Visuality in Early Modern France
  • 6. Edit In ... Edit Out: A Performance/Intervention
  • Aura and Edit
  • 7. Editing Armageddon
  • 8. Editing the Image: Two On-site/Online Exhibitions
  • Institutions of Art and Editorial Practices
  • 9. The Art Museum as Installation: An Interpretation of the Place of Matisse's The Joy of Life in the Barnes Foundation
  • 10. Editing In vs. Editing Out: World Art Studies and the Pathologies of Academe
  • Conclusions
  • 11. 'Editorial' Afterthoughts
  • Envoi What Remains: The Nachleben of the Invisible
  • Index
  • Previous Conference Publications

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