Canadian Content : : Culture and the Quest for Nationhood / / Ryan Edwardson.

• VerfasserIn: Edwardson, Ryan,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2018]; ©2008
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (288 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: A Guide to Canadianization --; 1. Colony to Nation: Morality, Modernity, and the Nationalist Use of Culture --; 2. Culturing Canada: The Massey Commission and the Broadcasting, Film, and Arts Triumvirate --; 3. From Institution to Industry: Mass Media and State Intervention, 1958-1966 --; 4. Canadian Content Woes: Cultural Imbalance and Undercurrents in the 1960s --; 5. Creating the Peaceable Kingdom: A New Nationalist Canadian Identity --; 6. Guaranteed Culture: Nationalism and the Question of Intervention --; 7. Saving Canada: Pierre Trudeau and the Mobilization of Culture --; 8. Littlest Hobos and Kings of Kensington: Canadian Cultural Melange in the 1970s --; 9. From Citizens to Consumers: Cultural Industrialism and the Commodification of Canadian Content --; 10. Canadianization in a Time of Globalization --; Conclusion: Building Canada - Culture and the Quest for Nationhood --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442687493
• DOI: 10.3138/9781442687493
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ryan Edwardson.

A nation is given shape in large part through the cultural activities of its builders. Historically, nationalists have turned to the arts and media to articulate and institute a sense of unique national identity. This was certainly true of Canada in the twentieth century. Canadian Content explores ways in which nationhood was defined and pursued through cultural means in Canada throughout the last century.As a framework for the study, Ryan Edwardson distinguishes between three phases of Canadianization: support for the arts and cultured mass media during the colony-to-nation transition; the 'new nationalist' empowerment of multi-brow culture and the call for state intervention in the mid-1960s and 1970s; and the 'cultural industrialism' initiated by the federal government under Pierre Trudeau in 1968. Examining each phase in its turn, Canadian Content looks at Canada as an ongoing postcolonial process of not one but a series of radically different nationhoods, each with its own valued but tentative set of cultural criteria for orchestrating and implementing a Canadian national experience. Considering the relationship between culture and national identity, this study offers an idea of what it means to be Canadian, and suggests just how adaptable, problematic, and ongoing the pursuit of nationhood can be.