Bernard Shaw and the BBC / / L.W. Conolly.

• Superior document: Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
• VerfasserIn: Conolly, L.W.,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2009
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Illustrations --; Preface --; Acknowledgments --; A Chronology of Bernard Shaw and the BBC --; Abbreviations --; 1. In the Beginning, 1923-1928 --; 2. Saint Joan, 1929 --; 3. 'Saying Nice Things Is Not My Business': Shaw Talks, 1929-1937 --; 4. 'Radiogenic Shaw': Broadcast Plays, 1929-1939 --; 5. 'GBS Has Been Very Kindly Disposed': Pre-War Television --; 6. 'I Won't Have That Man on the Air': The War Years --; 7. Television Returns, 1946-1950 --; 8. Radio Finale, 1945-1950 --; 9. Epilogue --; Appendix 1. Shaw's Broadcast Plays and Talks, 1923-1950 --; Appendix 2. Texts of Selected Shaw Broadcasts --; Appendix 3. German Wartime Propaganda Broadcasts about Shaw, 1940 --; Appendix 4. BBC Obituaries of Shaw --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442687431; 9783110667691; 9783110490954
• DOI: 10.3138/9781442687431
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: L.W. Conolly.

George Bernard Shaw's frequently stormy but always creative relationship with the British Broadcasting Corporation was in large part responsible for making him a household name on both sides of the Atlantic. From the founding of the BBC in 1922 to his death in 1950, Shaw supported the BBC by participating in debates, giving talks, permitting radio and television broadcasts of many of his plays - even advising on pronunciation questions. Here, for the first time, Leonard Conolly illuminates the often grudging, though usually mutually beneficial, relationship between two of the twentieth century's cultural giants. Drawing on extensive archival materials held in England, the United States, and Canada, Bernard Shaw and the BBC presents a vivid portrait of many contentious issues negotiated between Shaw and the public broadcaster. This is a fascinating study of how controversial works were first performed in both radio and television's infancies. It details debates about freedom of speech, the editing of plays for broadcast, and the protection of authors' rights to control and profit from works performed for radio and television broadcasts. Conolly also scrutinizes Second World War-era censorship, when the British government banned Shaw from making any broadcasts that questioned British policies or strategies. Rich in detail and brimming with Shaw's irrepressible wit, this book also provides links to online appendices of Shaw's broadcasts for the BBC, texts of Shaw's major BBC talks, extracts from German wartime propaganda broadcasts about Shaw, and the BBC's obituaries for Shaw.