The Silvering Screen : : Old Age and Disability in Cinema / / Sally Chivers.
Popular films have always included elderly characters, but until recently, old age only played a supporting role onscreen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©2010 |
Year of Publication: | 2019 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (240 p.) :; 17 halftones |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442686045 |
---|---|
ctrlnum |
(DE-B1597)497159 (OCoLC)1083581185 |
collection |
bib_alma |
record_format |
marc |
spelling |
Chivers, Sally, author. aut http://id.loc.gov/vocabulary/relators/aut The Silvering Screen : Old Age and Disability in Cinema / Sally Chivers. Toronto : University of Toronto Press, [2019] ©2010 1 online resource (240 p.) : 17 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction: The Silvering Screen -- 1. Same Difference? Gerontology and Disability Studies Join Hands -- 2. Baby Jane Grew Up: The Horror of Aging in Mid-Twentieth-Century Hollywood -- 3. Grey Matters: Dementia, Cognitive Difference, and the 'Guilty Demographic' on Screen -- 4. 'Sounds Like a Regular Marriage': Monogamy and the Fidelity of Care -- 5. Yes, We Still Can: Paul Newman, Clint Eastwood, Aging Masculinity, and the American Dream -- 6. As Old as Jack Gets: Nicholson, Masculinity, and the Hollywood System -- Conclusion: Final Films, The Silvering Screen Comes of Age -- Filmography -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Popular films have always included elderly characters, but until recently, old age only played a supporting role onscreen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt, where aging is a central theme.The first-ever sustained discussion of old age in cinema, The Silvering Screen brings together theories from disability studies, critical gerontology, and cultural studies, to examine how the film industry has linked old age with physical and mental disability. Sally Chivers further examines Hollywood's mixed messages - the applauding of actors who portray the debilitating side of aging, while promoting a culture of youth - as well as the gendering of old age on film. The Silvering Screen makes a timely attempt to counter the fear of aging implicit in these readings by proposing alternate ways to value getting older. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Aging in motion pictures. Motion pictures. People with disabilities in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh print 9781442611047 https://doi.org/10.3138/9781442686045 https://www.degruyter.com/isbn/9781442686045 Cover https://www.degruyter.com/cover/covers/9781442686045.jpg |
language |
English |
format |
eBook |
author |
Chivers, Sally, Chivers, Sally, |
spellingShingle |
Chivers, Sally, Chivers, Sally, The Silvering Screen : Old Age and Disability in Cinema / Frontmatter -- Contents -- Acknowledgments -- Introduction: The Silvering Screen -- 1. Same Difference? Gerontology and Disability Studies Join Hands -- 2. Baby Jane Grew Up: The Horror of Aging in Mid-Twentieth-Century Hollywood -- 3. Grey Matters: Dementia, Cognitive Difference, and the 'Guilty Demographic' on Screen -- 4. 'Sounds Like a Regular Marriage': Monogamy and the Fidelity of Care -- 5. Yes, We Still Can: Paul Newman, Clint Eastwood, Aging Masculinity, and the American Dream -- 6. As Old as Jack Gets: Nicholson, Masculinity, and the Hollywood System -- Conclusion: Final Films, The Silvering Screen Comes of Age -- Filmography -- Notes -- Works Cited -- Index |
author_facet |
Chivers, Sally, Chivers, Sally, |
author_variant |
s c sc s c sc |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Chivers, Sally, |
title |
The Silvering Screen : Old Age and Disability in Cinema / |
title_sub |
Old Age and Disability in Cinema / |
title_full |
The Silvering Screen : Old Age and Disability in Cinema / Sally Chivers. |
title_fullStr |
The Silvering Screen : Old Age and Disability in Cinema / Sally Chivers. |
title_full_unstemmed |
The Silvering Screen : Old Age and Disability in Cinema / Sally Chivers. |
title_auth |
The Silvering Screen : Old Age and Disability in Cinema / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Silvering Screen -- 1. Same Difference? Gerontology and Disability Studies Join Hands -- 2. Baby Jane Grew Up: The Horror of Aging in Mid-Twentieth-Century Hollywood -- 3. Grey Matters: Dementia, Cognitive Difference, and the 'Guilty Demographic' on Screen -- 4. 'Sounds Like a Regular Marriage': Monogamy and the Fidelity of Care -- 5. Yes, We Still Can: Paul Newman, Clint Eastwood, Aging Masculinity, and the American Dream -- 6. As Old as Jack Gets: Nicholson, Masculinity, and the Hollywood System -- Conclusion: Final Films, The Silvering Screen Comes of Age -- Filmography -- Notes -- Works Cited -- Index |
title_new |
The Silvering Screen : |
title_sort |
the silvering screen : old age and disability in cinema / |
publisher |
University of Toronto Press, |
publishDate |
2019 |
physical |
1 online resource (240 p.) : 17 halftones Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Silvering Screen -- 1. Same Difference? Gerontology and Disability Studies Join Hands -- 2. Baby Jane Grew Up: The Horror of Aging in Mid-Twentieth-Century Hollywood -- 3. Grey Matters: Dementia, Cognitive Difference, and the 'Guilty Demographic' on Screen -- 4. 'Sounds Like a Regular Marriage': Monogamy and the Fidelity of Care -- 5. Yes, We Still Can: Paul Newman, Clint Eastwood, Aging Masculinity, and the American Dream -- 6. As Old as Jack Gets: Nicholson, Masculinity, and the Hollywood System -- Conclusion: Final Films, The Silvering Screen Comes of Age -- Filmography -- Notes -- Works Cited -- Index |
isbn |
9781442686045 9781442611047 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 A433 C45 42011EB |
url |
https://doi.org/10.3138/9781442686045 https://www.degruyter.com/isbn/9781442686045 https://www.degruyter.com/cover/covers/9781442686045.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/654 |
dewey-sort |
3791.43 3654 |
dewey-raw |
791.43/654 |
dewey-search |
791.43/654 |
doi_str_mv |
10.3138/9781442686045 |
oclc_num |
1083581185 |
work_keys_str_mv |
AT chiverssally thesilveringscreenoldageanddisabilityincinema AT chiverssally silveringscreenoldageanddisabilityincinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)497159 (OCoLC)1083581185 |
carrierType_str_mv |
cr |
is_hierarchy_title |
The Silvering Screen : Old Age and Disability in Cinema / |
_version_ |
1806143711507120129 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03993nam a22006975i 4500</leader><controlfield tag="001">9781442686045</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210824034702.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210824t20192010onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442686045</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442686045</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)497159</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1083581185</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.A433</subfield><subfield code="b">C45 2011eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/654</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Chivers, Sally, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Silvering Screen :</subfield><subfield code="b">Old Age and Disability in Cinema /</subfield><subfield code="c">Sally Chivers.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (240 p.) :</subfield><subfield code="b">17 halftones</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction: The Silvering Screen -- </subfield><subfield code="t">1. Same Difference? Gerontology and Disability Studies Join Hands -- </subfield><subfield code="t">2. Baby Jane Grew Up: The Horror of Aging in Mid-Twentieth-Century Hollywood -- </subfield><subfield code="t">3. Grey Matters: Dementia, Cognitive Difference, and the 'Guilty Demographic' on Screen -- </subfield><subfield code="t">4. 'Sounds Like a Regular Marriage': Monogamy and the Fidelity of Care -- </subfield><subfield code="t">5. Yes, We Still Can: Paul Newman, Clint Eastwood, Aging Masculinity, and the American Dream -- </subfield><subfield code="t">6. As Old as Jack Gets: Nicholson, Masculinity, and the Hollywood System -- </subfield><subfield code="t">Conclusion: Final Films, The Silvering Screen Comes of Age -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Works Cited -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Popular films have always included elderly characters, but until recently, old age only played a supporting role onscreen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt, where aging is a central theme.The first-ever sustained discussion of old age in cinema, The Silvering Screen brings together theories from disability studies, critical gerontology, and cultural studies, to examine how the film industry has linked old age with physical and mental disability. Sally Chivers further examines Hollywood's mixed messages - the applauding of actors who portray the debilitating side of aging, while promoting a culture of youth - as well as the gendering of old age on film. The Silvering Screen makes a timely attempt to counter the fear of aging implicit in these readings by proposing alternate ways to value getting older.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Aging in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">People with disabilities in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781442611047</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442686045</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442686045</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442686045.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |