Armour and Masculinity in the Italian Renaissance / / Carolyn Springer.
During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained fo...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2010 |
Year of Publication: | 2018 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (272 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442685765 |
---|---|
ctrlnum |
(DE-B1597)496973 (OCoLC)1076468469 |
collection |
bib_alma |
record_format |
marc |
spelling |
Springer, Carolyn, author. aut http://id.loc.gov/vocabulary/relators/aut Armour and Masculinity in the Italian Renaissance / Carolyn Springer. Toronto : University of Toronto Press, [2018] ©2010 1 online resource (272 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Photograph Credits -- Acknowledgments -- Introduction -- PART ONE: ARMOURED BODIES -- 1. The Classical Body: The Poetics of the Bella Figura -- 2. The Sacred Body: The Armour of Sacrifice -- 3. The Grotesque Body: Tropes and Apotropes -- PART TWO: STUDIES IN SELF-FASHIONING -- 4. Guidobaldo II della Rovere (1514-74) -- 5. Charles V Habsburg (1500-58) -- 6. Cosimo I de' Medici (1519-74) -- Conclusion -- Glossary -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression. Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Armor in art. Armor, Renaissance Social aspects Italy. Masculinity Italy History. ART / History / Renaissance. bisacsh print 9781442626171 https://doi.org/10.3138/9781442685765 https://www.degruyter.com/isbn/9781442685765 Cover https://www.degruyter.com/cover/covers/9781442685765.jpg |
language |
English |
format |
eBook |
author |
Springer, Carolyn, Springer, Carolyn, |
spellingShingle |
Springer, Carolyn, Springer, Carolyn, Armour and Masculinity in the Italian Renaissance / Frontmatter -- Contents -- List of Illustrations -- Photograph Credits -- Acknowledgments -- Introduction -- PART ONE: ARMOURED BODIES -- 1. The Classical Body: The Poetics of the Bella Figura -- 2. The Sacred Body: The Armour of Sacrifice -- 3. The Grotesque Body: Tropes and Apotropes -- PART TWO: STUDIES IN SELF-FASHIONING -- 4. Guidobaldo II della Rovere (1514-74) -- 5. Charles V Habsburg (1500-58) -- 6. Cosimo I de' Medici (1519-74) -- Conclusion -- Glossary -- Notes -- Bibliography -- Index |
author_facet |
Springer, Carolyn, Springer, Carolyn, |
author_variant |
c s cs c s cs |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Springer, Carolyn, |
title |
Armour and Masculinity in the Italian Renaissance / |
title_full |
Armour and Masculinity in the Italian Renaissance / Carolyn Springer. |
title_fullStr |
Armour and Masculinity in the Italian Renaissance / Carolyn Springer. |
title_full_unstemmed |
Armour and Masculinity in the Italian Renaissance / Carolyn Springer. |
title_auth |
Armour and Masculinity in the Italian Renaissance / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Photograph Credits -- Acknowledgments -- Introduction -- PART ONE: ARMOURED BODIES -- 1. The Classical Body: The Poetics of the Bella Figura -- 2. The Sacred Body: The Armour of Sacrifice -- 3. The Grotesque Body: Tropes and Apotropes -- PART TWO: STUDIES IN SELF-FASHIONING -- 4. Guidobaldo II della Rovere (1514-74) -- 5. Charles V Habsburg (1500-58) -- 6. Cosimo I de' Medici (1519-74) -- Conclusion -- Glossary -- Notes -- Bibliography -- Index |
title_new |
Armour and Masculinity in the Italian Renaissance / |
title_sort |
armour and masculinity in the italian renaissance / |
publisher |
University of Toronto Press, |
publishDate |
2018 |
physical |
1 online resource (272 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Photograph Credits -- Acknowledgments -- Introduction -- PART ONE: ARMOURED BODIES -- 1. The Classical Body: The Poetics of the Bella Figura -- 2. The Sacred Body: The Armour of Sacrifice -- 3. The Grotesque Body: Tropes and Apotropes -- PART TWO: STUDIES IN SELF-FASHIONING -- 4. Guidobaldo II della Rovere (1514-74) -- 5. Charles V Habsburg (1500-58) -- 6. Cosimo I de' Medici (1519-74) -- Conclusion -- Glossary -- Notes -- Bibliography -- Index |
isbn |
9781442685765 9781442626171 |
geographic_facet |
Italy. Italy |
url |
https://doi.org/10.3138/9781442685765 https://www.degruyter.com/isbn/9781442685765 https://www.degruyter.com/cover/covers/9781442685765.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
730 - Sculpture, ceramics & metalwork |
dewey-ones |
739 - Art metalwork |
dewey-full |
739.7/5094509031 |
dewey-sort |
3739.7 105094509031 |
dewey-raw |
739.7/5094509031 |
dewey-search |
739.7/5094509031 |
doi_str_mv |
10.3138/9781442685765 |
oclc_num |
1076468469 |
work_keys_str_mv |
AT springercarolyn armourandmasculinityintheitalianrenaissance |
status_str |
n |
ids_txt_mv |
(DE-B1597)496973 (OCoLC)1076468469 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Armour and Masculinity in the Italian Renaissance / |
_version_ |
1806143711430574080 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03832nam a22006855i 4500</leader><controlfield tag="001">9781442685765</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210824034702.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210824t20182010onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442685765</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442685765</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)496973</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1076468469</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015080</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">739.7/5094509031</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Springer, Carolyn, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Armour and Masculinity in the Italian Renaissance /</subfield><subfield code="c">Carolyn Springer.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (272 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Photograph Credits -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">PART ONE: ARMOURED BODIES -- </subfield><subfield code="t">1. The Classical Body: The Poetics of the Bella Figura -- </subfield><subfield code="t">2. The Sacred Body: The Armour of Sacrifice -- </subfield><subfield code="t">3. The Grotesque Body: Tropes and Apotropes -- </subfield><subfield code="t">PART TWO: STUDIES IN SELF-FASHIONING -- </subfield><subfield code="t">4. Guidobaldo II della Rovere (1514-74) -- </subfield><subfield code="t">5. Charles V Habsburg (1500-58) -- </subfield><subfield code="t">6. Cosimo I de' Medici (1519-74) -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Glossary -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression. Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Armor in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Armor, Renaissance</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Italy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Masculinity</subfield><subfield code="z">Italy</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Renaissance.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781442626171</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442685765</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442685765</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442685765.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |