The Stages of Property : : Copyrighting Theatre in Spain / / Lisa Surwillo.

• Superior document: Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
• VerfasserIn: Surwillo, Lisa,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2007
• Year of Publication: 2016
• Language: English
• Series: Studies in Book and Print Culture
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Preface --; Introduction: Law, Theatre, and the Republic of Letters --; Stage I: Literary Property and Modern Spain --; 1. Cultivating Property: Desamortización and the Culture of Authors' Rights --; 2. Performative Appeal: From El trovador to the Royal Decree --; Stage II: Poets and Publishers --; 3. Authors between Stage and Page --; 4. Editores and Owners --; Stage III: National Literary Galleries --; 5. Textual Museums --; 6. Paratextual Performances in the 'Galerías dramáticas' --; Conclusion --; Appendix --; Notes --; Sources Cited and Consulted --; Illustration Credits --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442685000; 9783110667691; 9783110490954
• DOI: 10.3138/9781442685000
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lisa Surwillo.

The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.