Working on Screen : : Representations of the Working Class in Canadian Cinema / / ed. by Malek Khouri, Darrell Varga.
As themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Québécois and English Canada's film produc...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2006 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (320 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Foreword
- Introduction: Working on Screen
- PART ONE: Workers, History, and Historiography
- 1. In Search of the Canadian Labour Film
- 2. Communists, Class, and Culture in Canada
- 3. The Image of the 'People' in the CBC's Canada: A People's History
- PART TWO: Work, Gender, and Sexuality
- 4. Work It Girl! Sex, Labour, and Nationalism in Valérie
- 5. Not Playing, Working: Class, Masculinity, and Nation in the Canadian Hockey Film
- 6. Other-ing the Worker in Canadian 'Gay Cinema': Thom Fitzgerald's The Hanging Garden
- 7. Whose Museum Is It, Anyway? Discourses of Resistance in the Adaptation of The Glace Bay Miners' Museum into Margaret's Museum
- PART THREE: Dirty Work
- 8. Activating History: Sara Diamond and the Women's Labour History Project
- 9. Dirty Laundry: Re-imagining the Canadian Pacific Railway and the Construction of the Nation
- PART FOUR: Working on National Cinema
- 10. Look like a Worker and Act like a Worker: Stereotypical Representations of the Working Class in Quebec Fiction Feature Films
- 11. Inscriptions of Class and Nationalism in Canadian 'Realist' Cinema: Final Offer and Canada's Sweetheart: The Saga of Hal C. Banks
- 12. Rude and the Representation of Class Relations in Canadian Film
- 13. Counter Narratives, Class Politics, and Metropolitan Dystopias: Representations of Globalization in Maelström, waydowntown, and La moitié gauche du frigo
- Selected Bibliography
- Contributors