The World in Venice : : Print, the City, and Early Modern Identity / / Bronwen Wilson.

Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views, costume illustrations, events, and portraits of locals and foreigners are brought together to s...

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Place / Publishing House:Toronto : : University of Toronto Press, , [2017]
©2004
Year of Publication:2017
Language:English
Series:Studies in Book and Print Culture
Online Access:
Physical Description:1 online resource (490 p.)
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245 1 4 |a The World in Venice :  |b Print, the City, and Early Modern Identity /  |c Bronwen Wilson. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2017] 
264 4 |c ©2004 
300 |a 1 online resource (490 p.) 
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490 0 |a Studies in Book and Print Culture 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Illustrations --   |t Introduction --   |t Chapter 1. From Myth to Metropole: Sixteenth-Century Printed Maps of Venice --   |t Chapter 2. Costume and the Boundaries of Bodies --   |t Chapter 3. Allegory, Order, and the Singular Event --   |t Chapter 4. Reproducing the Individual: Likeness and History in Printed Portrait Books --   |t Conclusion --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views, costume illustrations, events, and portraits of locals and foreigners are brought together to show how printmakers responded to an expanding image of the world in Renaissance Venice, and how, in turn, prints influenced the ways in which individuals thought about themselves.Woodcuts and engravings of cities and inhabitants of Europe, and those of distant lands, initiated a sudden and pervasive experience with alterity that redefined the relations of Europeans to the world. By condensing the world into pictures, print enabled a radically novel and vicarious experience of others. Wilson explores the overlapping and evolving relations between space, vision, print, and identity, and engages with current scholarly debates concerning ethnicities, gender and geography, copies and originals, travel, nationhood, fashion, urban life, visuality, and the body.Venice was one of the largest cities in Renaissance Europe, a trading crossroads, and a centre of print. The World in Venice shows how Venetian identity came to be envisioned within the growing global context that print constructed for it. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) 
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776 0 |c print  |z 9780802087256 
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